‘Matri-Phony’ (1942) is the 63rd short comedy made by The Three Stooges for Columbia Pictures. It was photographed over a period of three weeks, beginning on Thursday, March 5th and ending on Wednesday, March 25th, 1942, and was released on Thursday, July 2nd of that year (the 183rd day on
https://www.youtube.com/watch?v=f1DTKhVlUMYhttps://www.youtube.com/watch?v=R-z4L1-lEtU When exactly did James Cagney first appear on screen? According to IMDB, he plays the ‘handsy patron at Blackie Joe’s’ in the Al Jolson vehicle ‘The Singing Fool’, made in 1928 as the follow-up to the enormously successful ‘The Jazz Singer’ (1927) and shot at the Warner Brothers Studios
https://www.youtube.com/watch?v=Mm2wRqrOttU Continuing our exploration of the dancing technique of James Cagney (click here, here and here for other magnificent examples) behold the full ‘Give My Regards To Broadway’ routine from George M. Cohan’s show ‘Little Johnny Jones’ (1904) as recreated in Warner Brothers Cohan biopic ‘Yankee Doodle Dandy’ (1942). It’s
Apropos of our previous posts this week featuring James Cagney and his singular style of hoofing, here’s the audacious and highly entertaining ‘Shanghai Lil’ number from ‘Footlight Parade’ (1933). As with yesterday’s clip featuring Bob Hope and Cagney dancing on a table, once again Cagney dances…on a table! (This time
The extraordinary screen dance-off of James Cagney and Bob Hope that I’ve posted above is from ‘The Seven Little Foys’, a 1955 biopic of vaudeville star Eddie Foy as portrayed by Hope. Cagney is once again reprising his role as George M. Cohan–see yesterday’s clip from Yankee Doodle Dandy for
The above number, from ‘Yankee Doodle Dandy’ (1942) is the great James Cagney performing the delightful ‘Off The Record’. He’s playing George M. Cohan playing Franklin D. Roosevelt and his distinctive, one-of-a-kind ass-in-air dancing style will be the subject of further posts this week. Whether you like it or not…
‘Some More Of Samoa’ (1941) is the 59th short comedy made by The Three Stooges for Columbia Pictures. It was photographed from Monday, May 12 through Thursday, May 15 1941 and was released on Thursday, December 4th of that year–the 338th day of the Gregorian Calendar and a scant three
https://www.youtube.com/watch?v=HDlnp880Lds Harry Warren was an eminent composer of literally dozens of hit tunes written for movies from the early 1930s through the late 1950s. His last big song was the haunting theme from ‘An Affair To Remember’ and his earliest works include depression-era ditties like ‘Jeepers Creepers’, ‘Lullaby Of Broadway’,
In the late 1950s, Ed Sullivan took to doing on-set/on-location interviews as part of his television program’s offerings. Long ago I posted a visit he made to the ‘Fire Down Below’ set, featuring Robert Mitchum, Rita Hayworth and Jack Lemmon. Today we see Sullivan in Naples (or is it Capri?)
Yesterday I posted the history of the lyric of Irving Berlin’s immortal ‘Putting On The Ritz’. Written in 1929, the original lyric had strong racist overtones which were removed when Berlin rewrote the song for the Fred Astaire vehicle ‘Blue Skies’ (1946). Before that, though, Clark Gable performed the song