On Saturday the 12th of February the Directors Guild of America presented a tribute to the late, great Melvin Van Peebles. A distinguished roster of filmmakers participated on the panel, including Michael Mann, Reginald Hudlin, Michael Schultz, Mario Van Peebles (naturally) and others. It was an invigorating look at Van
https://www.youtube.com/watch?v=7jqWC6ENShc Who’d a thunk? He’s good too! Let’s consider this a week of videos featuring people singing skillfully who really ought not to be singing at all (see previous post). Next up is Earl Holliman…
In 2002, my new friend Peter Bogdanovich and I decided to make a CD of songs from the American popular songbook. We both loved the standards from the 30s/40s/50s and Peter was, believe it or not, a pretty good singer. We’d been getting together at my apartment for the past
My dear friend Peter Bogdanovich passed away the other day, age 82. I saw him last October in L.A. and he was, as always, funny and charming and dry-witted. While we were waiting for our table in the restaurant somebody noticed him and approached us (not an uncommon occurance–he was
I’ve been working on a documentary about the great Burt Young on and off for the past five or so years. I’m honored to count Burt as a good friend and artistic collaborator and am delighted to be able to say that a cut of the film is finally finished.
What the hell are Bette Davis, Dick Powell, Warren William, Joan Blondell, Ruth Donnely and Preston Foster doing in an informercial for General Electric products shot in 1933? The answer is: I haven’t the foggiest idea. I never heard of this little weirdie until stumbling upon it this afternoon, deep
Here’s Don Rickles doing three minutes of ‘Sinatra Is A Gangster And We All Know It’ jokes for Frank’s 80th birthday concert. I can’t tell if Frank is really amused or if he’s out of it but knows he’s supposed to be smiling and laughing. Probably the latter as Frank
What do we know about Ricky Ricardo’s career? Chiefly that he came to New York via Cuba sometime in the pre-war years (just as Desi Arnaz did) but that the similarities between the two mens CV’s ends there. Desi hit it big on Broadway in 1939 in Rodgers and Hart’s
Not only was Desi Arnaz seriously underrated as the mind behind the building of Desilu Studios (see last weeks posts) but he was criminally underrated as a performer. In this 1951 clip from ‘I Love Lucy’ he and Lucille Ball perform a specialty number called ‘Cuban Pete’. It’s a frigging
Take a trip to the dark side of yesterday’s humor with ‘Hollywood Night Court’, a 1930 ‘blue’ record meant for private consumption only at parties. The three minute sketch traffics in stereotypes of gay men and female prostitutes, using low-down double entendre to garner its laughs…if indeed anyone laughed at