https://www.youtube.com/watch?v=3smUviG1G_s My friend Marc Myers of JazzWax sent me this terrific guest appearance by Jerry Lewis on ‘The Tonight Show’ from 1984. Unlike many of Jerry’s appearances which were often fraught with tension and humorous banter with Carson that had a curious edge of unease, this one is straight-up delightful.
Yesterday I posted the opening credit sequence from ‘The Delicate Delinquent’. Today’s offering is the musical credit sequence from his next movie ‘Rock-A-Bye Baby’ (1958), featuring the witty title song by Harry Warren and Sammy Cahn. A reader posited that the ‘Delicate Delinquent’ sequence might have been directed by Jerry
Here’s the fabulous opening credit sequence to Jerry Lewis’s first non-Dean Martin solo effort ‘The Delicate Delinquent’ (1957), written and directed by Don McGuire. The crisp black and white photography, the stylized pre-‘West Side Story’ fusion of violence presented as abstract dance, and Lewis’ peak pantomime performance combine to make
A few days ago I posted a terrific clip of Jerry Lewis dancing to ‘Rock-Rock-Rock-A Bye Baby’ and doing an intentionally bad job of it. The brilliance of the routine is that Lewis is, in fact, an excellent dancer and keeps giving you hints of his actual dexterity and skill
My longtime love/hate affair with Jerry Lewis has entered a new phase; the one in which I’m discovering talents of his that were–ready for this?–subtle and skillful. These are not words often associated with Joey Levitch but check out his dancing in the above clip from ‘Rock-A-Bye Baby’, a 1958
https://www.youtube.com/watch?v=V9Vc3S0X5tA The words ‘restraint’ and ‘Jerry Lewis’ (and I consider his name a word, not a name) don’t usually go together. But one of the most striking things about this famous clip from ‘The Nutty Professor’ is how this dance manages to be out-of-control but in exactly the way that
Here’s a quick dose of Jerry Lewis in his greatest period (1957-64 for my money) in a scene from ‘The Delicate Delinquent’ (1957). He’s part of a police line-up and his behavior is precisely what I’m sure mine would be if put in the same situation. The tough-ass cop is
'Pardon My Scotch' (1935) is our Three Stooges Saturday offering. Moe's fall at 3:25--not a stunt double--is truly awesome. #comedy #Violence #SlapFighting #TCM #FilmTwitter #comics https://raymonddefelitta.org/saturday-stoogefest-18/
Chico Marx plays championship #Bridge on a very strange 1960 #television show. Thanks to @MarxBrosPodcast for the excellent episode on Chico which inspired me to go in search of this gem. #comedian #TCMParty #cards https://raymonddefelitta.org/blog/
The Groucho Marx's are featured in a short #silent home #movie shot in #BeverlyHills in 1933. A very wistful and lovely glimpse of a #family and neighborhood now gone. #comedian #TCMParty #film https://raymonddefelitta.org/marxiana-pt-4-at-home-with-the-groucho-and-family/
Our Owl came back to Connecticut tonight for the beginning of its occasional spring residency.
The lovely Lillian Roth (not Susan Hayward) sings 'Why Am I So Romantic?' from the Marx Brothers 'Animal Crackers'. It's the only non-Marx musical performance in one of their movies that doesn't piss me off. #movie #comedy #singer #TCMParty #musical https://raymonddefelitta.org/marxiana-pt-3-lillian-roth-sings/
