Filmed in February 1929, when sound was well on its way in, ‘Double Whoopee’ was a defiantly silent entry and one of the best of all Stan and Ollie non-talkies. The hotel setting, characters and costumes are wonderfully evocative of the 20s, complete with ‘The Prince’, a Von Stroheim-esque character
‘Their Purple Moment’ (1928) is a fine (if not brilliant) example of the L&H silent era which showcases more slapstick than wit but which gives us a nice taste of the times it was made in. The restaurant/club set is a very 20s affair, and the chic and sexy Anita
By the late 1920s, Hal Roach had struck a lucrative distribution deal with MGM, resulting in expanded theatrical exposure, better music soundtracks and a lion roaring silently in the opening credit sequence. (Actually this version of the MGM lion is a rather sullen one, who seems to be grumbling about
I’ve always loved this blessed last week of the year. It’s a week free of the calendar–no day has any significance since almost everything but basic services is closed, nobody’s at work and it’s not even a holiday. Truly a lost week–a wonderful, liberating and rare occurrence. For several years
On Monday I posted a British Pathe newsreel showing the local side of glamorous Rome in 1967. Although the twitty English announcers narration was a tad on the condescending side (more than a tad actually) the lovely color photography made the whole thing a delight to watch. Today we have
What have we here? It’s a 1967 British Pathe newsreel (really? they were still making newsreels in Britain?) showing us ‘The Real Rome’. The quality of the color photography is excellent and the musical score is quite perfect. And then there’s the narration which is an astonishingly stupid and snide
Recorded on May 26, 1927, just five days after Lindbergh’s arrival in Paris, ‘Lucky Lindy’ (posted below) was a major hit record and one that Lindbergh apparently loathed. He was more than a little surprised at the world-wide hoopla that greeted him upon landing and regarded much of it with
There;’s a saying in aviation that ‘taking off is optional but landing is mandatory. Yesterday I posted Charles Lindberghs take off from Roosevelt Field in Long Island for his historic Atlantic crossing. Today, above, we see his landing in France. It’s not the most graceful three-point landing you’ll ever see–the
Yesterday I read a large chunk of Scott Berg’s magnificent biography of Charles Lindbergh (rather appropiately on a plane) and discovered that the actual take-off of ‘The Spirit Of St. Louis’ was captured by newsreel cameras. It’s hard now to grasp, from a centuries distance, how special this event was
I hadn’t seen the Cary Grant Vs. the Crop Duster scene from ‘North By Northwest’ in ages so I looked it up over lunch today and was surprised by how little of it I recalled. The long prelude–six minutes before the plane begins its attack–is Hitch at his methodical best,