Movies 'Til Dawn BLOG

THE MARX BROTHERS LP MOMENT

At the peak of the Marx Brothers revival of the late 60s–mid 70s, an LP consisting of snippets of Marx Brothers routines was released and became my favorite record of all time…at least during the summer of 1974. The record is narrated by Garry Owens, an announcer who was a

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VENICE, CA; THE FREAKY-DEAKY BEACH

Venice Beach, California, has always been a home for freaks. It was built for freakish reasons–to resemble Venice, Italy which it doesn’t at all–and was captured on film by freaky genius filmmakers; Orson Welles used it to sub for Tiajuana in ‘Touch of Evil’, Charlie Chaplin filmed ‘Kid Auto Races

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THE EARLY ART OF FLYING

Formation flying is an exacting and treacherous art–it’s still done and it’s still beautiful to behold, but it’s now greatly aided by technological communication. In the earliest days, however, there were no Bose headsets or radio transmission between pilots to be had, so the entire feat was accomplished using hand

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HAPPY BIRTHDAY FATSY-WATSY

Thomas ‘Fats’ Waller was born on May 21, 1904, thus making today his 122nd birthday. Waller was a singular figure in the music world. Nobody had a career remotely like his–he was a brilliant composer, superb pianist, innovative jazz organist, swinging singer, delightful comic personality and purveyor of infectious joy

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THE END OF DR. STRANGELOVE

As many of you cinema-geek sorts probably know, the original ending of Stanley Kubrick’s ‘Dr. Strangelove’ was a pie fight that broke out in the war room. There are different reasons given for why it was cut–the above five minute doc claims the studio was nervous because Kennedy had just

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ORSON AND WINSTON AND ADOLF AND MORE

Here’s a lovely clip from a 1970-ish Dick Cavett show featuring an interview with Orson Welles. Here, Welles trots out a few anecdotes that are popular in his repetoire but still delightful to hear from the great man himself. And trying to separate fact from fiction with Welles is always

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DAVID MAMET, AIRMAN

Did you know David Mamet–playwright, screenwriter, director, essayist, loudmouth conservative pundit–was also an aviator? Apparently he learned to fly in his 60s and continues to do so now, in his 70s. Above is a nice little video of him discussing southern Califormia’s role in the history of flight as well

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PRE-FLIGHT TIME WITH A TEXAN

Above is one of the dullest, driest, least charming training films about airplanes that I’ve ever seen. I love it. If you’re enraptured by vintage aviation then you will too. If you’re not I suggest you watch it as an alternative to taking the Quaalude that you may not have

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‘THE BIG COMBO’–A JOSEPH LEWIS JOINT

I recently re-watched an excellent, not-too-well-known noir from 1955 called ‘The Big Combo’. It was directed by Joseph Lewis who most film buffs know as the man who directed the famous one-take bank robbery sequence in the 1949 noir ‘Gun Crazy’. In ‘Big Combo’, Lewis takes his limitations–it’s clearly a

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TONY BILL, BARNSTORMER

Did you know that actor/director/restauranteur/sailor/guy who-co-produced ‘The Sting’ Tony Bill was a serious pilot and aviation history buff? A master pilot and aerobatics flyer, he’s owned and flown an envy-producing bunch of vintage hangar-candy among which are a 1946 Globe Swift, a 1935 Aeronica Chief, a 1929 Parks P-2A bi-plane,

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