Several years ago I produced and hosted a podcast featuring conversations between me and many legendary filmmakers. Among the guests were Mel Brooks, Andy Garcia, Peter Bogdanovich, Randal Kleiser, John Sayles, Mary Harron, John Avildsen…you get the idea. I stopped doing it because, frankly, I ran out of people I
At the peak of the Marx Brothers revival of the late 60s–mid 70s, an LP consisting of snippets of Marx Brothers routines was released and became my favorite record of all time…at least during the summer of 1974. The record is narrated by Garry Owens, an announcer who was a
Venice Beach, California, has always been a home for freaks. It was built for freakish reasons–to resemble Venice, Italy which it doesn’t at all–and was captured on film by freaky genius filmmakers; Orson Welles used it to sub for Tiajuana in ‘Touch of Evil’, Charlie Chaplin filmed ‘Kid Auto Races
Formation flying is an exacting and treacherous art–it’s still done and it’s still beautiful to behold, but it’s now greatly aided by technological communication. In the earliest days, however, there were no Bose headsets or radio transmission between pilots to be had, so the entire feat was accomplished using hand
Thomas ‘Fats’ Waller was born on May 21, 1904, thus making today his 122nd birthday. Waller was a singular figure in the music world. Nobody had a career remotely like his–he was a brilliant composer, superb pianist, innovative jazz organist, swinging singer, delightful comic personality and purveyor of infectious joy
As many of you cinema-geek sorts probably know, the original ending of Stanley Kubrick’s ‘Dr. Strangelove’ was a pie fight that broke out in the war room. There are different reasons given for why it was cut–the above five minute doc claims the studio was nervous because Kennedy had just
Here’s a lovely clip from a 1970-ish Dick Cavett show featuring an interview with Orson Welles. Here, Welles trots out a few anecdotes that are popular in his repetoire but still delightful to hear from the great man himself. And trying to separate fact from fiction with Welles is always
Did you know David Mamet–playwright, screenwriter, director, essayist, loudmouth conservative pundit–was also an aviator? Apparently he learned to fly in his 60s and continues to do so now, in his 70s. Above is a nice little video of him discussing southern Califormia’s role in the history of flight as well
Above is one of the dullest, driest, least charming training films about airplanes that I’ve ever seen. I love it. If you’re enraptured by vintage aviation then you will too. If you’re not I suggest you watch it as an alternative to taking the Quaalude that you may not have
I recently re-watched an excellent, not-too-well-known noir from 1955 called ‘The Big Combo’. It was directed by Joseph Lewis who most film buffs know as the man who directed the famous one-take bank robbery sequence in the 1949 noir ‘Gun Crazy’. In ‘Big Combo’, Lewis takes his limitations–it’s clearly a