If you ever watched ‘Skidoo’, Otto Premingers 1968 fiasco, and made it all the way to the end then you’d have been treated to what is clearly the film’s highlight–the singing end credits, courtesy of Harry Nillson. Otto’s richly Viennese voice is heard at the beginning of the sequence (‘Before
https://www.youtube.com/watch?v=J8JKEso5a3Ihttps://www.youtube.com/watch?v=LELTZmD3gWY In 1930, Hal Roach experimented with having the opening credits of some of his comedies spoken by two young women who appear to be identical twins, posed on a very nice quasi-Egyptian themed deco stage. Much like the soundtrack of the trailer I posted yesterday, this was likely another
‘The Painted Angel’ (1929) starring Billie Dove is a lost film–for the most part. Like many Vitaphone releases of those early talking pictures years, the discs of the soundtrack have survived (Vitaphone’s early sound system involved the sound on separate discs, linked to a projector which showed the mute film.
https://www.youtube.com/watch?v=1peQ5iagq7shttps://www.youtube.com/watch?v=WoBVNmZS9wI During the early days of World War 2, the phrase ‘Keep ‘Em Flyin’” was used on propoganda posters to encourage voluntary enlistment in the Army Air Corps. So popular was the phrase that it became the title of a 1941 Abbott and Costello vehicle. Above is a strange hybrid
In 1941 my father was an Army Air Corps grunt who was enlisted for flight training in the event a war were to occur (it was still several months prior to December 7, but as he used to tell me ‘the war was in the air’). There were three training
Apropos of yesterday’s killer Bugs Bunny musical number from ‘Hillbilly Hare’, here is Bugs dancing up a storm in ‘Slick Hare’ (1947). Watch as Bugs morphs into Carmen Miranda only to shed his new identity upon getting a taste of audience adulation. That and Elmer Fudd’s cleaver keeps him dancing.
Here is one of my go-to remedies when feeling dismayed or depressed or just crappy in general–the square dance scene in Bugs Bunny’s ‘Hillbilly Hare’. The cartoon provoked both controversy–cuts for violent content were required when it first appeared on television– and rapturous responses like the one below. Enjoy the
I’ve been reading Scott Berg’s mammoth biography of Charles Lindbergh, a man whose life was truly a dramatic whirlwind in multiple acts. Yesterday I took the plunge and dove into the dreadful story of the kidnapping and murder of his twenty-month old son, Charles Jr. in 1932 and the ensuing
Good lord! What was John Huston thinking (or drinking?) when he let loose with this rambling, discursive and largely meaningless five minute diatribe on a late-1970s Oscar broadcast? He certainly sounds magnificent and is, as always, beyond charismatic. I met him in 1981 when I was sixteen years old and
‘Their Purple Moment’ (1928) is a fine (if not brilliant) example of the L&H silent era which showcases more slapstick than wit but which gives us a nice taste of the times it was made in. The restaurant/club set is a very 20s affair, and the chic and sexy Anita