On Friday I posted a wonderful clip of then 71 year-old Joan Rivers doing an appearance on BBC host Michael Parkinson’s show. Today we roll back the clock thirty five or so years from that interview and watch the Joan that first appeared in front of national audiences. Above is
I’ve been posting lousy musical numbers this week with the intention of connecting them to the lousy election but I’m tired of it. I’m tired of the election, I’m tired of this week and I’m looking to end things on a high note. (‘End things’ meaning the week, not my
I began this week with the idea of posting a curated list of the worst movie musical numbers as a tribute (of sorts) to what I assumed was going to be a long week of election accusations, recriminations, lies, falsehoods, violence etc. And lo, the whole thing ran out of
A train wreck of a number for a train wreck of a day. Enough said.
In commemoration of this unbearably anxiety-inducing, nausea-producing week, we’re watching the lousiest musical numbers ever filmed. We began yesterday with the dreaded Ritz Brothers doing a ludicrous number in ‘The Goldwyn Follies’ and continue today with the climactic number from the catastrophic 1984 sort-of-comedy “Rhinestone”, starring Sylvester Stallone and Dolly
In queasy acceptance of the fact that the most noxious week in American history has now officially begun, I’ve decided to post the most noxious musical numbers ever filmed. What better way to kick things off than with this stinker from ‘The Goldwyn Follies’ (1938) featuring the wildly unfunny Ritz
As the dreaded day of the impending catastrophe known as the 2024 election approaches, I thought it would be appropriate and sobering to take a brief look back at the Hollywood Ten, a group of filmmakers who were tried, convicted and imprisoned for having been members of the Communist Party
In yesterday’s post featuring documentary footage of Hollywood and environs in 1928, we saw views of a number of long defunct studios. Chief among them was the legendary and beloved Hal Roach Studios, home of Laurel and Hardy, Our Gang, Charley Chase and others. The studio was in Culver City
https://www.youtube.com/watch?v=lG0rnd-m3CU Here is a fascinating travelogue reel showing Hollywood and environs in 1928 (not 1929 as the YouTube poster has labeled it). I date it as late summer/early winter ’28 as the two movies we see advertised, ‘Four Rooms’ and ‘The Man Who Laughs’, were released in August and November
When Ted Turner began to colorize black and white classics in the 1980s the entire film buff/film history/old Hollywood community rose in a uproar. How dare he desecrate the gorgeous and historic black and white films of the past! Who was this heathen who couldn’t appreciate the true cinematic art