https://www.youtube.com/watch?v=7l-09_fAUSk (NOTE: CLICK ABOVE TO WATCH TODAY’S LINK ON YOUTUBE). Yesterday’s clip featured the lovely 1934 recording of ‘The Very Thought Of You’ by the Ray Noble orchestra with vocal by Al Bowly. I gave you a little info on Bowly but didn’t expect to find any actual film of
I’m not usually one for YouTube music/film mash-ups but I stumbled across this one and found it so evocative and lovely that I’ve decided to share it with you. It consists of clips from the 1934 version of W. Somerset Maugham’s “Of Human Bondage”, starring Leslie Howard and Bette Davis,
We tend to think of the evolution of the title sequence as moving from a simple series of cards with actors names on them (sometimes splashed up a little with caricaturist representations of the actors), gradually becoming more dramatic, exotic or even story-heavy as the years progressed. But back in
Behold this gorgeous title sequence for ‘Two For The Seesaw’ (1962), starring Robert Mitchum and Shirley McLaine. We’re are in prime, early 60s New York City watching Robert Mitchum do pretty much nothing but walk around, staring impassively at various views and things and somehow conveying everything you can’t write
‘Dog Day Afternoon’ (1975) is on my short–very short–list of movies I can watch at any time. The credit sequence, setting up a hot New York city summer, is masterfully realized and uses very simple footage, much of which I’m guessing was culled from stock. The flavor of the various
‘Odds Against Tomorrow'(1959) is a generally overlooked crime caper noir starring Harry Belafonte, Robert Ryan and Ed Begley and directed by Robert Wise. The film has much to recommend it, including the above title sequence which is hardly what one might expect for a jazz-infused, urban noir tragedy. Instead of
‘Fox Movietone Follies of 1929’–sometimes referred to as ” Movietone Follies of 1929 and The William Fox Movietone Follies of 1929–is a lost film. Or is it? Wildly successful upon its release in the spring of 1929–a year of true American madness, peaking that summer and soon to collapse in the fall–the film
Last Friday I suggested a new weekly tradition of posting a Mambo dance to round out the week. Our first example was the lustrous Silvana Mangano–dig this clip of her killer Mambo if you missed it last week. Today we jump ahead a decade and dive into the ‘Dance At
Above I’ve posted actual footage of the premiere of Howard Hughe’s 1930 World War 1 aviation epic ‘Hells Angels’. And below I’ve posted a recreation of the event in Martin Scorsese’s brilliant Hughes biopic ‘The Aviator’ (2004–ish). The real event is shockingly huge in scope—just the lit-up sign advertising the
Here’s an astonishing four minute reel of outtakes from ‘Hells Angels’, saved apparently by accident and carefully preserved and lovingly restored. I can’t begin to tell you how rare it is to see outtakes from a film this early–movie outtakes began to be saved in the mid-thirties as a result