Yesterday I read a large chunk of Scott Berg’s magnificent biography of Charles Lindbergh (rather appropiately on a plane) and discovered that the actual take-off of ‘The Spirit Of St. Louis’ was captured by newsreel cameras. It’s hard now to grasp, from a centuries distance, how special this event was
I hadn’t seen the Cary Grant Vs. the Crop Duster scene from ‘North By Northwest’ in ages so I looked it up over lunch today and was surprised by how little of it I recalled. The long prelude–six minutes before the plane begins its attack–is Hitch at his methodical best,
A couple of months ago I posted about Howard Hawks 1939 movie ‘Only Angels Have Wings’. The discussion largely centered on the magnificent aerial photography by Elmer Dyer. It turns out that the Criterion Collection has included the film in their august DVD pantheon of classic cinema and provided a
Celebrate the season of the arrival of public domain with Springtime (1929)! This early Walt Disney Silly Symphonies animated short film is a exploration of nature set entirely to classical music. The cartoon features flora and fauna, including charming flowers, busy ladybugs, crawling centipedes, soaring birds, and hopping frogs. Without
This year a slew of entertainment from 1929 has entered the public domain and can now be reused, re-recorded, re-edited and re-enjoyed for free. Songs, movies, books–the world is now awash in uncopyrighted cultural riches, and the family members of the creators of those works are now shit out of
What better way to usher in the holiday that celebrates munificence, family, warmth and generosity than with two videos of Woody Allen discussing death and the meaninglessness of life. For somebody who thinks that nothing ultimately matters, Woody has certainly been prodigious in his output. In fact, it could be
Tomorrow night I’m hosting a fiftieth anniversary screening of ‘Dog Day Afternoon’, Sidney Lumet’s terrific 1975 ‘fiasco flick’ starring Al Pacino. (What is a ‘fiasco flick’ you ask? A movie about a crime that goes instantly wrong at the very opening and which you then watch in horrified delight as
The other day we took a look at the Best Picture nominees of 1928 and I commented on the very different, staid acting styles of the era. It’s always been my contention that screen acting–maybe all acting for that matter– was changed forever with the sudden, shocking appearance of James
My father Frank De Felitta (1921-2016) was a pilot who served with the Army Air Corps during the Second World War. To honor him on this special day I thought I’d post a couple of clips specifically about the plane he flew. The C-47 was a troop and equipment carrier
I’ve always loved the cumbersome nature of old film and recording technology. At the same time, though, I’ve never been able to truly grasp it. Nowhere is this more true than with the above fascinating reel showing the method by which sound and film are recorded in the early 1930s