This little mini-doc appears to be a 1965 travelogue of the Austran city Salzburg, birthplace and home of Mozart. In fact, they bury the lead and about three minutes in it’s revealed to be a behind-the-scenes look at the filming of ‘The Sound Of Music.’ Charmian Carr, who played Liesl
Lets wrap up the week with the best five minutes of your day (or perhaps week). Here’s a compendium of Buster Keaton’s most extraordinary stunts, all of which are done practically (i.e.no special effects), all of them by him (i.e. no stunt doubles) and some of them truly death-defying. That
Here’s a most enjoyable pre-code item that I’d never heard of called ‘Air Hostess’ (1933), starring Evalyn Knapp and James Murray. Knapp was a popular actress of the day with two deficits; she couldn’t act, and she didn’t know how to spell her first name. But the real stars of
https://www.youtube.com/watch?v=EBn8cuks8s4https://www.youtube.com/watch?v=xyA__0GJqhs&t=23s Here are two different short documentaries on the making of ‘Breakfast Of Tiffany’s’ that, when taken together, add up to a larger story of what making movies is (or can be) like. In the top one, the female A.I. voice tells us in no uncertain terms that the making
https://www.youtube.com/watch?v=KlZZgPxR3Bkhttps://www.youtube.com/watch?v=TBc4AHxnHOc I thought it might be a nice way to kick off the week with a little Joey Heatherton number from the mid-1960s dance show ‘Hullabaloo’. In this clip she sings a new song celebrating the new dance known as–what else?–the ‘Huallabaloo’. But wait. Is this really a new song
The excellent cinematographer John Bailey (click here for credits too numerous to mention) was also a fine film theorist. Witness this unusually perceptive break-down of the shooting style that John Huston and his cinematographer Harold Rossen (click here for credits too numerous to mention, although I will offer-up ‘Wizard Of
Here’s a one-hour doc about the making of John Huston’s 1984 adaptation of Malcolm Lowry’s ‘Under The Volcano’. Actually it’s less a doc than it is a collection of footage gathered on the set and put it into a semblance of order, as if it were the initial assembly of
Here is SCTV’s ‘Ricardo Montalban School of Fine Acting’. (The inclusion of ‘fine’ is very important, in an SCTV-ish kind of way). Every piece of this skit kills me but none so much as Joe Flaherty playing Terry Malloy as played by Ricardo Montalban. Oh, and Gene Shalit learning to
In Elia Kazan’s1989 autobiography he reflects toward the end of the book on the pain of failure and missed opportunity in show-biz. Of course he manages to work Orson Welles into the story, bemoaning the lost promise blah blah blah.Then he bitchily references a tale of Welles keeping a whole
There are very few Sidney Lumet movies I haven’t seen–and that’s saying a lot since he made so many movies. One is something called ‘Lovin’ Molly’ which he squeezed in between ‘Serpico’ and “Murder On The Orient Express’. (In his book ‘Making Movies’ he mentions in passing that he did