All week we’ve been dancing around the first ‘Crime of the Century’, the 1924 murder of a youth named Bobby Franks by two wealthy Chicago teenagers. So let’s end things with a nice, crisp History Channel doc on the crime. Aside from those dreadful ‘reenactment’ shots using non-speaking (and therefore
On a rainy day in 1929, the Fox Movietone people mounted a camera on top of a truck and–with police escort (you can hear the plaintive wail of the siren throughout this video)–took a drive down Broadway. Bumpy though the ride proved to be, it captured a mesmerizing look at
Above I’ve posted a real weirdie. It’s stock footage of West 52nd street shot sometime in the early 1930s. It has no discernible point or reason for existence. Unlike normal stock, there is little that is simply caught. Rather it is mostly staged shots of restaurant and speakeasy tasks–a guy
In Hollywood’s somewhat frantic search during the 1950s to find ways to best television’s increasing appeal, various different cinematic visual innovations were introduced–3D and Cinemascope being the most famous. But there were others that were actually superior to those innovations yet not fully utilized to their best advantage. One of
Here’s an extraordinary reel of film documenting the sights and sounds of Times Square in 1931. It’s filmed with the then-experimental sound-on-film process as pioneered by Fox Movietone News. Thus the sounds of the streets are what you were really hearing, not added later and not professional mic’d. There are
Behold ‘James Ellroy’s Feast Of Death’, a fascinating documentary about Ellroy’s search for the person who murdered his mother in late 1950s Los Angeles, an event that he’s written an entire book about and that obviously shapes his identity in so many ways. Ellroy hired an LAPD detective to re-investigate
‘Putting On The Ritz’ was written by Irving Berlin in May 1927 and first published on December 2, 1929. It was introduced by Harry Richman and chorus in the musical film ‘Putting On The Ritz’ (1930). I’ve posted a clip of that notoriously awful musical performance above–more about that in a minute. According to The
Yesterday I posted a short film from 1935 called ‘Broadway Highlights’. The film was part of a series of short subjects produced by Paramount Pictures in 1935 and 1936. They purported to tell the viewer, newsreel-style, what was happening on the so-called Gay White Way. In this installment, we first
‘Broadway Highlights’–subtitled ‘Intimate News Of The Gay White Way’–was a series of several short subjects produced by Paramount Pictures in 1935 and 1936. They purported to tell the viewer, newsreel-style, what was happening on the Gay White Way (as the street was dubbed in the lyric of ‘Broadway Melody’). Much
Above is an extraordinary find. It’s a short film made in 1932 starring the man who invented the gossip column all by himself, Walter Winchell. Titled ‘I Know Everybody and Everybody’s Racket’, it features Winchell playing himself as well as offering glimpses of period celebrities such as Ruth Etting, Paul