https://www.youtube.com/watch?v=fURATK5Yt30 Lets kick off the week with a…I’m almost said ‘bang’ but halted myself just in time, preventing a rare lapse in taste on my part. The Hindenburg disaster of 1937 was documented by a number of newsreel companies, with the above British Pathe footage probably being the…I almost said
Here’s a recently ‘unearthed’ (according to the YouTuber who has kindly provided it) promotional film for Las Vegas made in 1955. It’s a remarkable document, not so much for what it includes as for it what it excludes. While extolling the many fun activities tourists can have when visiting the
Here’s another of YouTube artist NASS’s wonderful colorized views of old New York City (with added sound bed of urban atmosphere). This time we are exclusively on Fifth Avenue in midtown. The year is somewhere between 1936-1938 based on the automobiles. The city is unusually clean–the streets literally look polished
This is pretty messed up. I’ve been re-reading James Ellroy’s ‘The Black Dahlia’, the first novel in his L.A. Quartet and one that I haven’t revisited in many years. Thus, it’s fair to say that I am fully immersed in the post WW2 L.A. noir of it all. Now, YouTube
In December, 1929 the above remarkable footage was shot in the Times Square Theater during rehearsals of the Gershwin show ‘Strike Up The Band’. I’ve posted this before but every so often I rewatch it and am freshly amazed at what a rare and peculiar document it is. In it,
In 1931 George and Ira Gershwin went to Hollywood for the first time to compose the score for a Janet Gaynor/Charlie Farrell musical called ‘Delicious’. No popular songs of any particular note came out of this endeavor but, Gershwin being Gershwin, a symphonic masterwork somehow snuck its way into existence.
Last week (or was it the week before?) I posted an experimental 1929 film called ‘Skyscraper Symphony’ by Robert Florey, which was a paeon to art deco New York and the then startling proliferation of the massive and impressive buildings of the era. On a very different note, avant garde
Here’s a fabulous colorized reel of various views of Broadway in the early 1930s. The YouTube artist known as NASS is responsible for many of these urban re-boot reels, in which he colorizes the footage (with great skill), slows the frame rate down and adds a quite convincing soundbed of
Alfred Hitchcock’s first sound film, ‘Blackmail’ (1929) was shot in both silent and sound versions, a typical one-foot-in one-foot-out practice at the time. Above is a sound test made, it would seem, to see if the voice of the lead actress Anna Ondra would be suitable for recording. As you
https://www.youtube.com/watch?v=4BJQViP16lAhttps://www.youtube.com/watch?v=XU6fY1wMTd4 Robert Florey is the supreme instance of a professional filmmaker whose dissatisfaction with commercial assignments led him into parallel work as an avant-garde independent. He began his career as a film critic and journalist in the early 1920s and came to some small prominence by making a very cheap