I mentioned the other day, while discussing Susan Hayward, Hollywood’s brief foray into a sub-genre that I think of as “musical melodramas.” These films are all post-war items–the era brought with it a frankness about human frailty, compulsions and violence that wasn’t earlier considered appropriate for mass entertainment–and used period
I wish I could say that my story of meeting Rudy Vallee ended with him giving me his megaphone. It didn’t. But still it ended in a pleasant enough way to warrant this final Rudy posting. I did as Tommy, his friend/helper, suggested (see 1/11 post) and sent Rudy a
So there I am, standing in my parents house with a letter addressed to me from Rudy Vallee. I recall my mother coming in the room and saying–as if nothing before in her life had ever been quite so strange–“Raymond…did you get a letter from Rudy Vallee?” I opened it,
Does anyone remember the huge fuss made in newspapers around the world in the early 1970’s when the scandal broke that a faded star of yesteryear– singer Rudy Vallee–desired to change the name of the street he lived on (Pyramid Place in the Hollywood Hills) to Rue De Vallee? A Congressman
This is an extraordinary piece of filmmaking from 1935. It runs just under ten minutes but is well worth your time. “Symphony In Black” is a short film featuring Duke Ellington and his band, with guest appeareances by Billie Holiday and Scatman Crothers, believe it or not. (Holiday sounds like
Sunday. Spent much of today in jazz-geek heaven, listening to transcriptions of old WRVR broadcasts of “Just Jazz with Ed Beech”. Beech was a New York based d.j. who made discography sound suave. Using a Shakespearean-trained actors voice (at least according to his publicity) he filled New York radio with
Last Night (7/5) at Birdland, in New York City, I heard the impeccable and impeccably modest jazz giant Hank Jones at the piano with his trio. At age 89 (and after a recent heart episode) he is naturally somewhat less authoritative in his approach, but never less than elegant and
Who was Jackie Paris? And what has he to do with the future of independent film? Start with the name, which sounds like a crooner invented by Jim Thompson or some other hard-boiled noir paperback artist of the past. But It was his real name (sort of). Jackie Paris (born