The above short (eight minute) film was made to be shown at General Motors 1956 Motorama show. it purports to show how the future of driving will look twenty years hence and, while it makes the usual inaccurate assumptions about a future that never comes (a la H.G. Welles ‘Things
https://www.youtube.com/watch?v=7l-09_fAUSk (NOTE: CLICK ABOVE TO WATCH TODAY’S LINK ON YOUTUBE). Yesterday’s clip featured the lovely 1934 recording of ‘The Very Thought Of You’ by the Ray Noble orchestra with vocal by Al Bowly. I gave you a little info on Bowly but didn’t expect to find any actual film of
I’m not usually one for YouTube music/film mash-ups but I stumbled across this one and found it so evocative and lovely that I’ve decided to share it with you. It consists of clips from the 1934 version of W. Somerset Maugham’s “Of Human Bondage”, starring Leslie Howard and Bette Davis,
Behold this gorgeous title sequence for ‘Two For The Seesaw’ (1962), starring Robert Mitchum and Shirley McLaine. We’re are in prime, early 60s New York City watching Robert Mitchum do pretty much nothing but walk around, staring impassively at various views and things and somehow conveying everything you can’t write
‘Dog Day Afternoon’ (1975) is on my short–very short–list of movies I can watch at any time. The credit sequence, setting up a hot New York city summer, is masterfully realized and uses very simple footage, much of which I’m guessing was culled from stock. The flavor of the various
‘Odds Against Tomorrow'(1959) is a generally overlooked crime caper noir starring Harry Belafonte, Robert Ryan and Ed Begley and directed by Robert Wise. The film has much to recommend it, including the above title sequence which is hardly what one might expect for a jazz-infused, urban noir tragedy. Instead of
‘Fox Movietone Follies of 1929’–sometimes referred to as ” Movietone Follies of 1929 and The William Fox Movietone Follies of 1929–is a lost film. Or is it? Wildly successful upon its release in the spring of 1929–a year of true American madness, peaking that summer and soon to collapse in the fall–the film
Last Friday I suggested a new weekly tradition of posting a Mambo dance to round out the week. Our first example was the lustrous Silvana Mangano–dig this clip of her killer Mambo if you missed it last week. Today we jump ahead a decade and dive into the ‘Dance At
On Monday I posted a brief TCM doc about the ‘pansy craze’ of the late 1920s and early 30s. Among other things, the doc serves as a good introduction for those not already in the know to the premiere pansy performer of the era, Jean Malin. Born GENE Malin in
Yesterday I posted Busby Berkeley’s wonderfully choreographed ‘Hopping Dance’, performed by Bobby Van. The dance’s spiritual cousin–or perhaps it’s parent really–was a Berkeley production number from fifteen or so years earlier, ‘Horray For Hollywood’ from ‘Hollywood Hotel’ (1937). It features Benny Goodman and his then wildly successful swing era big