Here’s a profile of laugh-track maestro/audio engineer Carroll Pratt working his magic on a decidedly unfunny scene from a show called “Webster” in 1983. Pratt added canned laughter to TV shows using a custom ‘laff box’ which he designed and built. He began doing ‘laugh sweetening’ in the late 1950s
Laughter is one of our most precious commodities in life, getting us through (and past) difficult situations and topics and providing a release of joy that every day life for the most part lacks. Nobody doesn’t like to laugh. (Except the current leader of the free world who can only
Yesterday we listenend to excerpts of Max Steiner’s score for ‘The Big Sleep’. I’m rather enjoying divorcing these rich orchestral works from the pictures they were designed to play under so today I’m presenting Miklos Rozsa’s score for ‘Double Indemnity’ (1944). It’s impossible not to visualize the opening shot of
Phineas Newborn, Jr. is on my top-five list of greatest jazz pianists of all time. But his career was spotty, largely it appears due to a severe emotional reaction to criticism that he was all technique and no soul. So what? The technique is phenomenal and the soul is there
Behold an early 1980s commercial for a local Los Angeles business ‘Gary’s Mattress’, located in Van Nuys, California. Gary, spokesman for his own store, manages to squeeze more offensive stereotypes into less than a minute than…well, I wish had a slick and amusing comparison to make but I just don’t.
I have an idea. From now on (and perhaps forever after) let’s make Friday ‘Mambo’ day. What hipper, cooler dance was ever invented (except for the ‘Black Bottom’ of course)? Here’s the glorious Silvana Mangano giving the dance a run for its money in the appropriately named ‘Mambo’ (1954). The
In the late 1920s, urban nightclubs began to feature openly gay performers known as ‘pansy’s’, usually doing a song/dance/patter act, offering up wry, witty and sometimes self-deprecating humor;. The songs were suggestive and explored the double-nature of the pansy, a man who feels more feminine than masculine and prefers dressing
Yesterday I posted the astonishing ‘The Continental’ dance sequence from ‘The Gay Divorcee’. It turns out it was the work of a man named Dave Gould, not Hermes Pan as I’d always assumed. Now, I don’t mean to sound like a jerk but there’s very little about movies of the
The oddly beloved comedy series ‘Green Acres’, starring Eddie Albert and Eva Gabor, ran an impressive six seasons on CBS, from 1965-1971. There are many fans of the show who point to its occasional forays into surrealist humor as evidence that a deeper vein of television comedy was being explored
On Monday we began a discussion of the hosts of late night horror movie shows on local television that proliferated in the 1950s-70s (and maybe beyond?). Perhaps the true legend of the genre is Vampira, a local L.A. hostess whose mid-to-late 1950s show was on KABC, the ABC affililiate. Her