Yesterday I posted a 1972 interview with songwriting great Harry Warren. Today let’s look backwards forty years from that time to 1933 and watch a Vitaphone “Pepper Pot” short called “Harry Warren; America’s Foremost Composer’. In it, Warren appears at a piano in a beautiful art deco setting, surrounded by
Let’s put a button on this bizarre, embarrassing and absurd week–I speak of events on the world stage–with something that makes absolute, delicious sense. Here’s Fred Astaire and Rita Hayworth doing the ‘Shorty George’ from ‘You Were Never Lovelier’ (1942). Watching this perfection is like drinking a long, cold glass
Thomas ‘Fats’ Waller was born on May 21, 1904, thus making today his 122nd birthday. Waller was a singular figure in the music world. Nobody had a career remotely like his–he was a brilliant composer, superb pianist, innovative jazz organist, swinging singer, delightful comic personality and purveyor of infectious joy
Before ‘The Many Loves Of Dobie Gillis’ was a silly TV show, ‘The Affairs Of Dobie GIllis’ was a silly musical movie. (Before that it was a series of silly stories by Max Shulman who was responsible for all the silliness. He must have a made mega-ton of money from
Here’s an extraordinary piece of musical filmmaking that really should be more celebrated than it is. It’s the big, fat, ultimate dance number from ‘The Gay Divorcee’ (1934), the second film to pair Fred Astaire and Ginger Rogers and the first to be properly considered a starring vehicle for them.
‘Monkey Business’ (1931) is the Marx Brothers third movie and the first not to be an adaptation of a stage play. The movie is a non-stop delight–75 or so minutes of one laugh after another., And yet the last line of the film is famously (amongst Marxists anyway) disappointing. After