Movies 'Til Dawn BLOG

HUSTON UNDER A VOLCANO

Here’s a one-hour doc about the making of John Huston’s 1984 adaptation of Malcolm Lowry’s ‘Under The Volcano’. Actually it’s less a doc than it is a collection of footage gathered on the set and put it into a semblance of order, as if it were the initial assembly of

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JOHN HUSTON, FOX-KILLER

During John Huston’s ‘Lord Of The Manor’ Ireland years (mid-1950s to mid-1970s roughly) he was known locally as John Huston, MFH. Those letters stood for ‘Master of the Fox Hunt’, a loathsome tradition that he was happy to help perpetrate. Above is a short (five minute) doc showing the great

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JOHN HUSTON: SAGE OR SOT?

Good lord! What was John Huston thinking (or drinking?) when he let loose with this rambling, discursive and largely meaningless five minute diatribe on a late-1970s Oscar broadcast? He certainly sounds magnificent and is, as always, beyond charismatic. I met him in 1981 when I was sixteen years old and

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JOHN HUSTON MEETS BOND

Here’s a quirky little interview with John Huston shot on (or near?) the Irish location of ‘Casino Royal’, the sort-of James Bond movie which he co-directed with twenty other directors. This is ‘portrait of the artist as bullshit-salesman’ deluxe. Huston is charming, evasive, clearly perplexed by what he’s doing involved

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ON SET WITH JOHN HUSTON

Humphrey Bogart called him ‘the monster’ (with great affection, of course). Women found him wildly attractive (even though he treated them rather dreadfully, being proudly ‘multi-amorous’ long before the New York Times wrote admiring articles about threesomes buying and renovation multi-amorous brownstones in Brooklyn). But I digress. John Huston was

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BARS ARE FOR FIGHTS: ‘TREASURE OF SIERRA MADRE’

If you’re going to get into a fight, why not combine it with some drinking? It will certainly make the idea of fighting seem more rational than if you were sober. Which brings us to ‘fight week’. On Monday we watched a fight in a diner (which more than likely

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‘BEAT THE DEVIL’–TRAILER AND SET VISIT

I’ve long harbored the desire to travel back in time to visit certain specific movie sets, ones which were storied and special for various reasons.. ‘To Have and Have Not’ (the meeting of Bogie and Bacall), ‘The General’ (dumping that train into the drink), ‘Citizen Kane’ (enough said), ‘Casablanca’ (the

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