Yesterday we looked at a scene from an episode of “Friends’ sans laugh track. It revealed itself to be something entirely different than intended–an innocuous sit-com scene with a few laughs instead turned into a Bergman-esque study of faces, mute interactions, intense but silent emotions etc. Today we’ll see what
Laughter is one of our most precious commodities in life, getting us through (and past) difficult situations and topics and providing a release of joy that every day life for the most part lacks. Nobody doesn’t like to laugh. (Except the current leader of the free world who can only
Here’s a fascinating little ten minute audio reel of Frank Sinatra doing multiple takes (six in all) of ‘Pick Yourself Up’ from the ‘Sinatra and Swinging Brass’ album. Neil Hefti’s arrangements are neat and inventive and the band kicks hard. Frank, though, needs a few tries to get things straight–and
https://www.youtube.com/watch?v=3jIeUm2KAqYhttps://www.youtube.com/watch?v=rlb7WNwcs_I The transition silent stars had to make to sound movies was a treacherous one, the main problem being not that they sounded funny but that their voices didn’t always match their on-screen personas. This could work in two different ways. On the one hand, the voiceless William Powell was
Here’s a wonderful clip of silent screen vamp superstar Theda Bara in 1936, speaking at the end of a Lux Radio Theater presentation of ‘The Thin Man’. Since that movie was directed by W.S. Van Dyke who was known to everyone as ‘Woody’, I assume the person who she’s speaking
Last week I posted about the incredibly strange early silent sex symbol Theda Bara. Since her films are more or less all lost, and her vampiric personality exceptionally strange from the photographs we have of her, it might be something of a surprise to hear that she was, in fact,
Laaving no turn unstoned in our look at various strange cinematic attempts at telling the story of ‘Salome’, here’s a reel of selects from one of the strangest–and most eerily lovely–of all silent films. I speak of the Russian actress Alla Nazimova’s 1923 ‘art’ version of the tale. It isn’t
Yesterday we saw fragments of the lost 1918 version of ‘Salome’ starring Theda Bara. Today we jump ahead thirty-five years (it feels like thirty-five centuries) to the 1953 version starring Rita Hayworth. Above I’ve posted the ‘Dance of the Seven Veils’ scene which was choreographed by Valerie Bettis, a well
The story of Salome, her father King Herod, her passion for John the Baptist, his rejection of her which somehow leads her to do a suggestive dance that arouses her stepfather (I think) to grant her whatever she wishes which turns out to be John the Baptist’s head on a
I missed my Labor Day Jerry Lewis posting yesterday but it’s never too late. Or, maybe it never is late enough. That might be a wisecrack, but I doubt it. (Apologies to Groucho). We can’t miss the tradition so above I’m giving you one of Jerry’s wonderfully dreadful telethon sign-offs.Yes,