Did you know David Mamet–playwright, screenwriter, director, essayist, loudmouth conservative pundit–was also an aviator? Apparently he learned to fly in his 60s and continues to do so now, in his 70s. Above is a nice little video of him discussing southern Califormia’s role in the history of flight as well
I recently re-watched an excellent, not-too-well-known noir from 1955 called ‘The Big Combo’. It was directed by Joseph Lewis who most film buffs know as the man who directed the famous one-take bank robbery sequence in the 1949 noir ‘Gun Crazy’. In ‘Big Combo’, Lewis takes his limitations–it’s clearly a
Did you know that actor/director/restauranteur/sailor/guy who-co-produced ‘The Sting’ Tony Bill was a serious pilot and aviation history buff? A master pilot and aerobatics flyer, he’s owned and flown an envy-producing bunch of vintage hangar-candy among which are a 1946 Globe Swift, a 1935 Aeronica Chief, a 1929 Parks P-2A bi-plane,
There are many words that come to mind when watching the above Betty Boop cartoon from 1934, ‘Betty In Blunderland’. They include surreal, nightmarish, demented, outlandish and, most importantly, fascinating. The Fleischer brothers approach to animation was madly untethered to anything resembling reality. Plot doesn’t exist, though ‘Alice In Wonderland’
Yesterday I posted an astoundingly cool video of Shari Lewis dancing up a storm on a 1964 TV variety show. It was a side of her I never knew, having grown up knowing her as a ventriloquist and nothing more. Here she is a few years earlier doing what we
Did you know that comedienne/puppeteer Shari Lewis was also a kick-ass dancer? I didn’t. Apparently, when Captain Kangaroo was looking the other way, Shari was busy dancing up a storm in secret. In 1964 she appeared on an unidentified TV variety show (I believe it’s ‘Broadway Tonight’ based on a
Russ Columbo was an enormously popular crooner of the early 1930s, rivaling Bing Crosby in his rise to stardom. Unfortunately he went to a friend’s house one afternoon in 1934, cleaned his friend’s gun and was the unfortunate recipient of a bullet that discharged by accident, thus ending his career
Yesterday I posted a fascinating short doc about the daunting creation of an animated film in 1938. Having seen my recent interest in the subject, YouTube quickly coughed up the above video about the methods by which characters in early cartoons went from being rigid stick figures and achieved human-style
This short doc from 1938 shows us the unbelievably intricate, detailed and tedious process used in crafting an animated picture in the era before Hanna-Barbara ruined animation with their cheap, non-moving backrounds and unrealistic body motions. ‘Snow White and the Seven Dwarfs’ is the subject at hand and I can’t
Here’s an interview with Stan Laurel and Oliver Hardy that I’ve never seen before–perhaps it was recently unearthed since the relatively small amount of interview stuff with them available has long been well known to all serious L&H fans. It’s part of either a newsreel or TV short program called