George Raft was a perfectly good actor but a great dancer as witness in the above clip from ‘Bolero’ (1934) where he dances with Carole Lombard. Raft began his career in New York in the so-called roaring twenties, first as the driver of prohibition kingpin gangster Owney Madden, then as
‘Grips, Grunts and Groans’ (1937) is the 20th short comedy made by The Three Stooges for Columbia Pictures. It was photographed from Friday, October 30th through Thursday, November 5th, 1936 and was released on Friday, January 15th 1937 (the 15th day in the Gregorian calendar). This is a deeply unsettling
Apropos of yesterdays post featuring home movies (I think) of Jean Harlow in the early 30s, here’s documentary footage of the premiere of ‘Hells Angels’, Howard Hughes World War 1 aviation epic, in 1930. It was the first big time role of Harlow’s career which makes the announcers description of
Here’s a completely obscure, not to say befuddling, piece of footage showing us Jean Harlow in conversation with her ‘vocal coach’ Samuel Kayzer. (It somehow makes sense that this footage is entirely silent). Who shot it? For what purpose? It doesn’t look professionally done so was it some kind of
Try this one on for size in the bad-luck show-biz department. You’re a successful Broadway actor in the 1920s. The movie business comes calling. You land roles of increasing prominence. The talkies arrive and it’s found that your voice is more than adequate for leading man status (at a time
Given the hugeness of their talent, the above title is ludicrous and reductive to say the least. Lets kick off this early 2024 week with the terrific ‘Jumpin’ Jive’ number from ‘Stormy Weather’. You have to sit through a minute and a half of Cab Calloway (not an easy task)
https://www.youtube.com/watch?v=twBwZz1GXKM ‘Woman Haters’ (1934) is the first of 190 short comedies made by The Three Stooges for Columbia Pictures. It was photographed from Tuesday, March 27 through Friday, March 30 1934 and was released on Saturday, May 5th of that year (the 125th day of the Gregorian calendar and the
Yesterday I posted ‘Putting Pants On Phillip’ (1927),, the first film in which Laurel and Hardy are paired as a team even though they play characters unassociated with each other prior to their on-screen meeting. Today’s silent L&H, ‘Do Detectives Think?’ (also 1927) is their following film and the first
‘Putting Pants On Phillip’ (1927) is the first official teaming of Laurel and Hardy, though they had appeared in a handful of films together prior to this (but not as a team). They’re not really a team here either which makes this silent comedy a real curiosity. Laurel plays a
‘Double Whoopee’ (1929) is, for my money, the best of the L&H silent shorts. Though not as iconic as ‘Liberty’, ‘Two Tars’ or ‘Big Business’, the film has a motor that never quits–a very jazz-age, syncopated almost out-of-control rhythmic thrust that I find irresistible. The art deco hotel lobby setting