https://www.youtube.com/watch?v=eMGASlOu028 Continuing our shallow dive into the slump years of Frank Sinatra’s career (roughly 1949-53) here’s a clip from Sinatra’s TV show that he somehow maintained during the period, the daringly titled ‘The Frank Sinatra Show’. Frank sings ‘These Foolish Things’, one of the loveliest ballads of the era accompanied
In the late 1940s both Frank Sinatra and Groucho Marx were in their slump years–the Marx Brothers were essentially over and Groucho’s attempts at movie-star solo work were met mostly with a shrug. He made two movies–‘Copacabana’ and ‘A Girl In Every Port’–that were disappointments and the final Marx Brothers
The word on the street (not my street but somebody’s street) is that the Scorcese/DiCaprio Sinatra biopic now in the planning stages is set during the legendary singer/actor/prick’s slump years–basically 1948-53. This is when he deserted his family for Ava Gardner, pissed off most of the world’s press and melted
It’s not uncommon for yesteryears raciest things to be described in the current day as ‘tame’ or ‘now innocent’. But the 1920s had a lurid, highly sexually charged nature that was far ahead of its time, though it was soon to be quashed by much tamer subsequent decades. Nowhere is
Here’s an immensely enjoyable short film starring Cab Calloway, his orchestra and the great and unsung black actress Fredi Washington called ‘Hi De Ho’. Directed by Fred Waller (who also directed the pioneering Duke Ellington short ‘Symphony in Black’ and was–get this–responsible for the development of the Cinerama process) the
At the University of South Carolina there is a collection of Fox Movietone Newsreels. It contains seven million feet of nitrate motion picture film and four million feet of safety motion picture film documenting the national and global politics and culture from 1919 through 1934 and from September 1942 through
https://www.youtube.com/watch?v=f1DTKhVlUMYhttps://www.youtube.com/watch?v=R-z4L1-lEtU When exactly did James Cagney first appear on screen? According to IMDB, he plays the ‘handsy patron at Blackie Joe’s’ in the Al Jolson vehicle ‘The Singing Fool’, made in 1928 as the follow-up to the enormously successful ‘The Jazz Singer’ (1927) and shot at the Warner Brothers Studios
https://www.youtube.com/watch?v=Mm2wRqrOttU Continuing our exploration of the dancing technique of James Cagney (click here, here and here for other magnificent examples) behold the full ‘Give My Regards To Broadway’ routine from George M. Cohan’s show ‘Little Johnny Jones’ (1904) as recreated in Warner Brothers Cohan biopic ‘Yankee Doodle Dandy’ (1942). It’s
Apropos of our previous posts this week featuring James Cagney and his singular style of hoofing, here’s the audacious and highly entertaining ‘Shanghai Lil’ number from ‘Footlight Parade’ (1933). As with yesterday’s clip featuring Bob Hope and Cagney dancing on a table, once again Cagney dances…on a table! (This time
The extraordinary screen dance-off of James Cagney and Bob Hope that I’ve posted above is from ‘The Seven Little Foys’, a 1955 biopic of vaudeville star Eddie Foy as portrayed by Hope. Cagney is once again reprising his role as George M. Cohan–see yesterday’s clip from Yankee Doodle Dandy for