Did you know that Billy Wilder and I.A.L. Diamond’s perfect screenplay for ‘The Apartment’ was written on the fly while the film was being shot? Can this actually be true? According to Shirley MacLaine, in the above very interesting doc about the making of the film, Wilder started filming with
https://www.youtube.com/watch?v=EBn8cuks8s4https://www.youtube.com/watch?v=xyA__0GJqhs&t=23s Here are two different short documentaries on the making of ‘Breakfast Of Tiffany’s’ that, when taken together, add up to a larger story of what making movies is (or can be) like. In the top one, the female A.I. voice tells us in no uncertain terms that the making
Here’s a quirky little interview with John Huston shot on (or near?) the Irish location of ‘Casino Royal’, the sort-of James Bond movie which he co-directed with twenty other directors. This is ‘portrait of the artist as bullshit-salesman’ deluxe. Huston is charming, evasive, clearly perplexed by what he’s doing involved
https://www.youtube.com/watch?v=7l-09_fAUSk (NOTE: CLICK ABOVE TO WATCH TODAY’S LINK ON YOUTUBE). Yesterday’s clip featured the lovely 1934 recording of ‘The Very Thought Of You’ by the Ray Noble orchestra with vocal by Al Bowly. I gave you a little info on Bowly but didn’t expect to find any actual film of
I’m not usually one for YouTube music/film mash-ups but I stumbled across this one and found it so evocative and lovely that I’ve decided to share it with you. It consists of clips from the 1934 version of W. Somerset Maugham’s “Of Human Bondage”, starring Leslie Howard and Bette Davis,
Early talking films are invaluable relics of a dead civilization–namely the 1920s. The acting, pacing, diction, style and behavior are as incomprehensible and different from anything we now consider normal as sitting around a cave might be with its cro-magnin inhabitants. The movies aren’t really useful anymore to us in
Here’s the rather original first trailer of ‘The Thin Man’ (1934) starring…well, if you read this blog I’m pretty sure you know who played Nick and Nora Charles. It uses a rather striking ‘book-end’ gimmick–William Powell doubles himself and Nick Charles in a split screen in which Nick stands within
Continuing this week’s Leopold and Loeb theme, here’s a clip of Alfred Hitchcock on The Dick Cavett Show’ discussing, among other things, the long-take method of the movie that I described in yesterday’s post. Far from the forbidding figure we sometimes think of him as, Hitch is amusing, droll and
Filmmakers appear to be at their best when being interviewed by Europeans. Yesterday I offered up Orson Welles on Michael Parkinson’s show. Today, dig this one-hour doc made for French television titled ‘Billy Wilder; Portrait Of A 60% Perfect Man’. Ciment, a noted French cineaste, shot this material in Los