Movies 'Til Dawn BLOG

DAMES WHO SWING (Part 3)

This week we’ve been taking a look at all-girl jazz bands of the 1930s and 1940s. Today we’re going to back to the 1920s where we will meet ‘The Ingenues’, a most adventurous and impressive ‘girl group’ that toured the United States and other countries from 1925 to 1937. They

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JUDY GARLAND IN TWO TAKES

It took three days to shoot the scene in which Judy Garland performs Harold Arlen and Ira Gershwin’s haunting and highly unusual (in form) torch song ‘The Man That Got Away’, for the 1954 version of ‘A Star Is Born’. Above is a nifty split screen demonstrating two of the

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JAZZ HATES YOU TOO

As a jazz pianist, I’m less sensitive than most others of my ilk to people’s frequently (and freely) expressed negative opinions about the music that I love. This is largely due to my belief that when people say that they don’t like jazz they’re not really referring to jazz–they’re either

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DOC, JOHNNY AND…BILLIE JOE?

When I was a kid I had a two-disc LP comprised of the audio of ‘Tonight Show’ segments. The Johnny Carson album was a big flop for some reason–Carson liked to joke about it–and I can’t remember quite why we had it since neither I nor my parents watched Carson.

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BIX ON FILM PT.2

https://www.youtube.com/watch?v=RmD7jeIEkfg (NOTE: HIT ABOVE ‘PLAY ON YOUTUBE’ BUTTON TO WATCH VIDEO. THE GUY WHO POSTED IT APPARENTLY THINKS HE OWNS IT). When I was a kid in the early 70s getting into jazz and old movies, two great revivals were taking place. One was The Marx Brothers revival, which began

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JAZZ HIJINKS, 1926 EDITION

With the introduction of Safety Film in 1925, the home movie craze began. Safety was a non-flammable alternative to the highly inflammatory nitrate stock which all movies previously were shot on. Smaller gauge cameras–16mm arrived two years prior in 1923–were easier to use and didn’t require much in the way

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CREDIT SEQUENCE THEATER: “ODDS AGAINST TOMORROW”

‘Odds Against Tomorrow'(1959) is a generally overlooked crime caper noir starring Harry Belafonte, Robert Ryan and Ed Begley and directed by Robert Wise. The film has much to recommend it, including the above title sequence which is hardly what one might expect for a jazz-infused, urban noir tragedy. Instead of

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JOAN CRAWFORD DANCES

Let’s close this autumnal week with some madcap 1920s dancing featuring Joan Crawford. Above and below I’ve posted a few minutes from ‘Our Dancing Daughters’, the 1928 silent vehicle that officially launched Crawford’s career and world wide fame. Actually, calling the film ‘silent’ isn’t quite accurate as it was released

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HAPPY BIRTHDAY DAD!

Tomorrow, August 3rd, would have been my father Frank De Felitta’s 103rd birthday. (He passed away in 2016, age 94). To honor this milestone of not being alive for eight and a half years, I thought I’d post an exceedingly rare and culturally important documentary he made for CBS television

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‘MAMA I WANNA MAKE RHYTHM’; BERIGAN V. CALLOWAY

Yesterday I posted a recording of Bunny Berigan singing (as well as trumpeting) ‘My Baby Says It’s So’, a lovely 1930s Warren/Dubin ditty. Berigan’s singing is so unusual and super-hip that I began to dig into his discography to find more than just the famous ‘I Can’t Get Started’ hit

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