Movies 'Til Dawn BLOG

LET’S NOT MAKE ‘LET’S MAKE LOVE’

We move from the previous two posts featuring Marilyn’s delightfully polished and alluring musical numbers in ‘Some Like It Hot’ and ‘Let’s Make Love’, to her nadir. It too is from ‘Lets Make Love’, but there are multiple issues with it that frankly make it something of an embarrassment to

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FRANK SINATRA MEETS…PAUL ROBESON?

I hereby nominate the above rendition of “Ol’ Man River” as performed by Frank Sinatra as the single most wince-inducing racist musical number ever filmed–and that’s saying a lot given the unfortunate preponderance of blackface minstral numbers on view throughout 1930s and 40s movie musicals. This is the climax to

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THE RETURN OF THE FOLLIES OF FOX MOVIETONE

‘Fox Movietone Follies of 1929’–sometimes referred to as ” Movietone Follies of 1929 and The William Fox Movietone Follies of 1929–is a lost film. Or is it? Wildly successful upon its release in the spring of 1929–a year of true American madness, peaking that summer and soon to collapse in the fall–the film

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JUMPIN’ BOBBY VAN

On Tuesday I reminisced a bit about my chance encounter with performer Bobby Van just months before his untimely death at age 51. I was perhaps a bit dismissive of Van’s talents and intend to rectify that today by offering up what is probably his career highlight, the ‘hopping song’

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THE FURTHER MYSTERIES OF DAVE GOULD

This week I’ve posted two examples of the stunning work of forgotten movie musical director/choreographer/designer Dave Gould. Above is one of his best sequences, the ‘Hollywood Party’ number from the 1934 film –er–‘Hollywood Party’. For a brief stretch in the 1930s, Gould was given the resources of major Hollywood studios–RKO,

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“SMALL TOWN GIRL”; A BUSBY BERKELEY NIGHTMARE

Yesterday we watched a deeply strange BDSM musical number from a 1933 Eddie Cantor vehicle, staged by Busby Berkeley. Twenty-years later, the same mind that brought us slavegirls-on-parade came up with a fascinating, nightmarish concept for an Ann Miller number in ‘Small Town Girl’ (1953) called ‘I Gotta Hear That

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FRED V. PAULETTE

It may seem odd that by far my favorite of Fred Astaire’s dance partners is, in fact, not a dancer at all. But the above clip of Paulette Goddard and Astaire performing “I Ain’t Hep To That Step But I’ll Dig It” from “Second Chorus” (1940) rocks me every time

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AN ASTAIRE THANKSGIVING (Thanks Fred!)

Let’s keep this short (work-wise) and lovely (in every other way) week simple. I’m going to post only Fred Astaire dance numbers all week, specifically ones that might be a bit more obscure to those who mostly know the Ginger Rogers-era Fred. He made two movies with Rita Hayworth–”You’ll Never

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RUDY VALLEE DOES RADIO

A couple of days ago I posted an interview with Rudy Vallee from 1984 on Skip E. Lowe’s local Los Angeles public access television show. It was the 83 year old Vallee’s last televised appearance–he died two years later after a long illness. Let’s do a little comparing and contrasting

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JAMES CAGNEY’S DEBUT (AND MORE)

https://www.youtube.com/watch?v=f1DTKhVlUMYhttps://www.youtube.com/watch?v=R-z4L1-lEtU When exactly did James Cagney first appear on screen? According to IMDB, he plays the ‘handsy patron at Blackie Joe’s’ in the Al Jolson vehicle ‘The Singing Fool’, made in 1928 as the follow-up to the enormously successful ‘The Jazz Singer’ (1927) and shot at the Warner Brothers Studios

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