A couple of days ago I posted an interview with Rudy Vallee from 1984 on Skip E. Lowe’s local Los Angeles public access television show. It was the 83 year old Vallee’s last televised appearance–he died two years later after a long illness. Let’s do a little comparing and contrasting
https://www.youtube.com/watch?v=f1DTKhVlUMYhttps://www.youtube.com/watch?v=R-z4L1-lEtU When exactly did James Cagney first appear on screen? According to IMDB, he plays the ‘handsy patron at Blackie Joe’s’ in the Al Jolson vehicle ‘The Singing Fool’, made in 1928 as the follow-up to the enormously successful ‘The Jazz Singer’ (1927) and shot at the Warner Brothers Studios
https://www.youtube.com/watch?v=Mm2wRqrOttU Continuing our exploration of the dancing technique of James Cagney (click here, here and here for other magnificent examples) behold the full ‘Give My Regards To Broadway’ routine from George M. Cohan’s show ‘Little Johnny Jones’ (1904) as recreated in Warner Brothers Cohan biopic ‘Yankee Doodle Dandy’ (1942). It’s
Apropos of our previous posts this week featuring James Cagney and his singular style of hoofing, here’s the audacious and highly entertaining ‘Shanghai Lil’ number from ‘Footlight Parade’ (1933). As with yesterday’s clip featuring Bob Hope and Cagney dancing on a table, once again Cagney dances…on a table! (This time
https://www.youtube.com/watch?v=HDlnp880Lds Harry Warren was an eminent composer of literally dozens of hit tunes written for movies from the early 1930s through the late 1950s. His last big song was the haunting theme from ‘An Affair To Remember’ and his earliest works include depression-era ditties like ‘Jeepers Creepers’, ‘Lullaby Of Broadway’,