Let’s close the week with the spectacular Fred Astaire & Eleanor Powell ‘Begin The Beguine’ dance routine from ‘Broadway Melody of 1940’. You need to sit through a minute of silly singing until the dancing begins (or you can fast-forward through it) but it’s well worth the wait. The whole
Given the hugeness of their talent, the above title is ludicrous and reductive to say the least. Lets kick off this early 2024 week with the terrific ‘Jumpin’ Jive’ number from ‘Stormy Weather’. You have to sit through a minute and a half of Cab Calloway (not an easy task)
For the grand finale of this weeks tap-centric postings, lets watch the grand finale of ‘Stormy Weather’ (1943) featuring the astonishingly elegant, athletic and altogether delightful dance team of Harold and Fayard Nicholas. This five minute clip includes the opening chorus of Cab Calloway singing ‘Jumping Jive’ so either skip
The astounding tap dancer Arthur Duncan, who died early this year aged 97, spent years performing on Lawrence Welk’s weekly TV show. For that the much maligned Welk should be commended. Duncan had the misfortune of being the very best at his craft at a moment in history when only
https://www.youtube.com/watch?v=IiWpmprZDrAhttps://www.youtube.com/watch?v=Ufop72Q74fA Here are two deleted scenes from ‘Cafe Metropole’, a 1937 20th Century Fox musical (sort of) starring Tyrone Power, Loretta Young and Adolphe Menjou. Both feature tap-dancing legend Bill Bojangles Robinson, who already had made screen history by dancing with Shirley Temple in another Fox movie ‘The Little Colonel’
As a follow-up to yesterday’s post which featured a superb Eleanor Powell number from ‘Ship Ahoy’, here’s Eleanor dancing a nifty number with Fred Astaire in ‘Broadway Melody of 1940’. Apparently this was her favorite of her own on-screen dances. That’s all the sparkling dialogue I’ve got for today–I’m late
Eleanor Powell, Metro Goldwyn Mayer’s tap-dancing super-star of the 1930s and early 40s, is now an oddly marginalized figure in the world of dance history. Perhaps it’s because the movies she appeared in–featherweight musical vehicles–are now mostly unwatchable. (I hate it when that happens). One of them, ‘Ship Ahoy’ (1942),
Here’s an excerpt of a musical sequence from an obscure 1944 Republic Studios movie called ‘Atlantic City’. The number is ‘Harlem On Parade’ and it’s a more-than-slightly-valuable documentation of three of the prime black entertainers of the 1930s/40s. I refer to the above mentioned performers who all are given a