Movies 'Til Dawn BLOG

SIR CAROL REED

In the late 1940s and early 1950s it was generally accepted that Sir Carol Reed, the British filmmaker responsible for ‘The Third Man’, was Europe’s greatest filmmaker. This wasn’t just based on that beyond-classic noir. (Actually placing ‘The Third Man’ in a genre–like noir–is reductive; it’s many different types of

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THE FERRIS WHEEL–NOT THE FERRIS TOWER!

The Ferris wheel was the invention of a man named, well, George Washington Ferris. Come on, what did you think his name was going to be. Gustave Eiffel? It was designed for the 1893 Chicago Worlds Exposition, the first such exposition since the one in Paris five years earlier which

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MOUSESHWITZ; A HATE STORY

I’ve always hated everything Disney. Hated Mickey Mouse and Donald Duck. Hated Snow White and Pinocchio and Sleeping Beauty. Hated the song ‘It’s A Small World After All’ and especially hated the score to ‘Mary Poppins.’ Worst of all was Disneyland, a theme park I was subjected to several times

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A LITTLE PIPER MUSIC

One of the distressing things about nerding-out on vintage airplane videos are the soundtracks one has to endure. Either the person who posted the footage of the lovely old planes plasters ‘Top Gun’ style junk-rock over the images or they err in the other direction, maintaining the ‘purity’ of the

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PILOT HEAVEN/PILOT HELL PT. DEUX

Take a look (and read the accompanying explanation) at yesterday’s blog entry. It’s a World War 2 pilot training film ”Learn and Live With Joe Instructor’, absolutely one of the most entertaining war movies ever made. To my dismay, the film ended rather abruptly, halting just as a plane was

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PILOT HEAVEN/PILOT HELL

Years ago I remember my father recounting to me a training film he and his fellow flight school students were asked (forced) to watch in which Guy Kibbee played an angel who admitted dead student pilots to a special place in heaven/hell, without knowing why. The flight instructor showed up

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LAUREL&HARDY SILENT-FEST DAY 4; ‘DOUBLE WHOOPEE’

Filmed in February 1929, when sound was well on its way in, ‘Double Whoopee’ was a defiantly silent entry and one of the best of all Stan and Ollie non-talkies. The hotel setting, characters and costumes are wonderfully evocative of the 20s, complete with ‘The Prince’, a Von Stroheim-esque character

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LAUREL&HARDY SILENT-FEST DAY 3; ‘THEIR PURPLE MOMENT’

‘Their Purple Moment’ (1928) is a fine (if not brilliant) example of the L&H silent era which showcases more slapstick than wit but which gives us a nice taste of the times it was made in. The restaurant/club set is a very 20s affair, and the chic and sexy Anita

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LAUREL&HARDY SILENT-FEST DAY TWO: ‘WE FAW DOWN’

By the late 1920s, Hal Roach had struck a lucrative distribution deal with MGM, resulting in expanded theatrical exposure, better music soundtracks and a lion roaring silently in the opening credit sequence. (Actually this version of the MGM lion is a rather sullen one, who seems to be grumbling about

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‘TWO TARS’–THE SILENT L&H FEST BEGINS

I’ve always loved this blessed last week of the year. It’s a week free of the calendar–no day has any significance since almost everything but basic services is closed, nobody’s at work and it’s not even a holiday. Truly a lost week–a wonderful, liberating and rare occurrence. For several years

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