Yesterday we looked at two examples of the ‘upper berth as comedic set-piece’ genre. As far as I know, the first extended example of this routine is in Laurel & Hardy’s ‘Berth Marks’ (1929), their second sound film. To be honest, that statement is based on no research whatsoever on
Do trains still have sleeper cars? If so, do they still have upper and lower berths? Perhaps the bigger questions is: do people still sleep on trains other than falling asleep in their uncomfortable seat, jammed next to somebody with a service dog. (This happened to me on a long
https://www.youtube.com/watch?v=gu-cHtE5AYQhttps://www.youtube.com/watch?v=cJoiBRIxpwM The actor Robert Taylor was an avid flyer starting in the 1930s. He often flew himself and his co-stars to location, terrifying the studio executives who saw their valuable ‘properties’ vulnerable to sudden wreckage and instant death. (Planes then didn’t have built-in parachutes to guide them to the ground
https://www.youtube.com/watch?v=24XNg4DQTr8https://www.youtube.com/watch?v=98TETzMWjTg It’s hard to pick a favorite Howard Hawks films given the diverse amount of genres he worked in and always at such a high level. “To Have and Have Not’, ‘Bringing Up Baby’, ‘Rio Bravo’, ‘The Big Sleep’, ‘Red River’–Jesus, what an absurd list of genres to have conquered.
https://www.youtube.com/watch?v=x2itmdeH0nQhttps://www.youtube.com/watch?v=aEn3tjbYO8M Howard Hawks was what used to be known as a ‘man’s man’. He was a sportsman (another defunct term) who raced cars and motorcycles, flew planes, hunted, fished, rode horses, the whole shmeer. His love of flying was well documented in several movies–‘The Dawn Patrol’, ‘Air Force’ and the
I can see by the gently declining number of hits on my blog that my obsession with vintage aviation isn’t necessarily shared by my readers. In that case I’ll wrap the subject up (until I unwrap it of course) with one of my favorite Three Stooges shorts ‘Dizzy Pilots’ (1942).
Here’s a fascinating little ten minute audio reel of Frank Sinatra doing multiple takes (six in all) of ‘Pick Yourself Up’ from the ‘Sinatra and Swinging Brass’ album. Neil Hefti’s arrangements are neat and inventive and the band kicks hard. Frank, though, needs a few tries to get things straight–and
https://www.youtube.com/watch?v=3jIeUm2KAqYhttps://www.youtube.com/watch?v=rlb7WNwcs_I The transition silent stars had to make to sound movies was a treacherous one, the main problem being not that they sounded funny but that their voices didn’t always match their on-screen personas. This could work in two different ways. On the one hand, the voiceless William Powell was
Here’s a wonderful clip of silent screen vamp superstar Theda Bara in 1936, speaking at the end of a Lux Radio Theater presentation of ‘The Thin Man’. Since that movie was directed by W.S. Van Dyke who was known to everyone as ‘Woody’, I assume the person who she’s speaking
Last week I posted about the incredibly strange early silent sex symbol Theda Bara. Since her films are more or less all lost, and her vampiric personality exceptionally strange from the photographs we have of her, it might be something of a surprise to hear that she was, in fact,