https://www.youtube.com/watch?v=DhhZqKlO6wEhttps://www.youtube.com/watch?v=Y1aKNy7hBV4 Airplane pilots are always quick to tell you that 99 percent of all aviation accidents are due to pilot error. This is almost a religious incantation with them–they believe firmly in ‘trusting the machine’, which I imagine is the only way to get over the insane fact that they’re
This past weekend my son and I journeyed to the little town of McMinnville, Oregon, to see what is arguably the ninth wonder of the world; the biggest plane ever built and never flown. Howard Hughes ‘Spruce Goose’ is a flying boat that was intended to be used during the
Apropos of this weeks posts on non-French, non-Greek director Jules Dassin, here’s a lovely scene from his 1960 hit “Never On Sunday’, starring his wife Melina Mercouri. In an act of immense chutzpah, Dassin–who was essentially a non-actor–cast himself as the co-lead–an American who’s visiting Greece. He’s the gray haired
Apropos of yesterday’s post about the great non-French non-Greek but somehow French and Greek American director Jules Dassin, I though I’d post the legendary twenty-five (or so) minutes silent sequence of the heist scene in ‘Rififi’. Imagine my surprise when it failed to turn up on YouTube. Instead only tidbits
https://www.youtube.com/watch?v=vk_qX2VXycEhttps://www.youtube.com/watch?v=vk_qX2VXycE. This weekend TCM showed Jules Dassin’s masterful ‘Rififi’ (1955) and I began a deep-ish dive into the enigmatic man behind the name. For years he was thought by many to be French–he did, after all, direct the premiere French noir crime-drama of the 1950s. But Dassin, in fact, was
It took three days to shoot the scene in which Judy Garland performs Harold Arlen and Ira Gershwin’s haunting and highly unusual (in form) torch song ‘The Man That Got Away’, for the 1954 version of ‘A Star Is Born’. Above is a nifty split screen demonstrating two of the
It’s Friday night, August 6th, 1982. You’re watching The Tonight Show. Johnny Carson introduces a new comic who’s making his first appearance not only on Carson but on network television. Carson says something cryptic about how the audience is about to see something…unusual. And then Steven Wright comes out and
I occasionally get obsessed with a recording and go on a listening jag that defies explanation. This happened yesterday with the above recording of a song by Doris Day accompanied by Harry James and his Orchestra. It’s called ‘Would I Love You?’ and is hardly so well-known or even terribly
Yesterday I posted Al Pacino and Robert De Niro’s screen tests for ‘The Godfather’, in which we also got a view of the young, then-fatso Francis Coppola directing. Today we move backwards thirty-five or so years for a glimpse of Paulette Goddard’s test for the role of Scarlett O’Hara in…oh,
This is a fascinating little fragment of footage showing Al Pacino and Robert De Niro’s screen tests for ‘The Godfather’. Pacino got the role of Sonny–we see Coppola giving him some direction as well–and De Niro was passed up for Sonny in favor of James Caan. In my not so