https://www.youtube.com/watch?v=twBwZz1GXKM ‘Woman Haters’ (1934) is the first of 190 short comedies made by The Three Stooges for Columbia Pictures. It was photographed from Tuesday, March 27 through Friday, March 30 1934 and was released on Saturday, May 5th of that year (the 125th day of the Gregorian calendar and the
Yesterday I posted ‘Putting Pants On Phillip’ (1927),, the first film in which Laurel and Hardy are paired as a team even though they play characters unassociated with each other prior to their on-screen meeting. Today’s silent L&H, ‘Do Detectives Think?’ (also 1927) is their following film and the first
‘Putting Pants On Phillip’ (1927) is the first official teaming of Laurel and Hardy, though they had appeared in a handful of films together prior to this (but not as a team). They’re not really a team here either which makes this silent comedy a real curiosity. Laurel plays a
‘Double Whoopee’ (1929) is, for my money, the best of the L&H silent shorts. Though not as iconic as ‘Liberty’, ‘Two Tars’ or ‘Big Business’, the film has a motor that never quits–a very jazz-age, syncopated almost out-of-control rhythmic thrust that I find irresistible. The art deco hotel lobby setting
Sorry to have skipped a day, but not doing stuff is what Boxing Day is all about, right? Anyway, here’s a 1928 Laurel & Hardy silent called ‘The Finishing Touch’. The plot is beyond simple. L&H have inexplicably been hired to build a house. A cop and a woman who
‘That’s My Wife’ (1929), a late silent L&H short, traffics not only in cross-dressing but also in simulated male on she-male sex and some hard-core early punk dance grooves. I can’t explain it any further. Watch and enjoy an immaculately restored print of this wildly inappropriate outing as we continue
To see us through the holidays and to celebrate the joyous occasion of saying goodbye to this bizarre year, I will be posting a silent Laurel and Hardy comedy every day through January 1. I’ve loved L&H since I was a child but never took much interest in the silents
Below is part 4 of 4 of an essay I wrote on director George Stevens in 2011. Click here for part one, here for part two and here for part three. Last week was Stevens 119th birthday. I had a plan: to work our way through “Shane”, my favorite Stevens
The below is a segment of an essay I wrote in 2011 on director George Stevens (‘A Place In The Sun’, ‘Shane’, ‘Giant’ etc.) Last week was Stevens 119th birthday. Click here to read part one and here to read part two of the essay. The other day I discussed
The below is part two of a four part essay I wrote on director George Stevens (‘A Place In The Sun’, ‘Shane’, ‘Giant’) in April, 2011. Yesterday would have been Stevens 119th birthday. I’ll be posting the rest of the essay throughout this week. Click here to read part one