Last week I posted about the incredibly strange early silent sex symbol Theda Bara. Since her films are more or less all lost, and her vampiric personality exceptionally strange from the photographs we have of her, it might be something of a surprise to hear that she was, in fact,
Yesterday we saw fragments of the lost 1918 version of ‘Salome’ starring Theda Bara. Today we jump ahead thirty-five years (it feels like thirty-five centuries) to the 1953 version starring Rita Hayworth. Above I’ve posted the ‘Dance of the Seven Veils’ scene which was choreographed by Valerie Bettis, a well
The story of Salome, her father King Herod, her passion for John the Baptist, his rejection of her which somehow leads her to do a suggestive dance that arouses her stepfather (I think) to grant her whatever she wishes which turns out to be John the Baptist’s head on a
I missed my Labor Day Jerry Lewis posting yesterday but it’s never too late. Or, maybe it never is late enough. That might be a wisecrack, but I doubt it. (Apologies to Groucho). We can’t miss the tradition so above I’m giving you one of Jerry’s wonderfully dreadful telethon sign-offs.Yes,
Our semi-deep dive into vintage aviation continues with the extraordinary 1931 Hal Roach comedy ‘Air Tight’. The film is one in the series of short comedies known as ‘The Boy Friends’, which starred Mickey Daniels, Grady Sutton, Mary Kornman and other Roach-trained veterans of the silent incarnation of ‘Our Gang’.
Between 2018 and 2022 (or so) I hosted my podcast, ‘Movies Til Dawn’, which consisted of me and veteran directors having conversations about…well…lots of different stuff. There was no specific formula to these conversations–I usually told the subject beforehand that we could talk about anything they felt like. Thus my
There are literally thousands of shows streaming on hundreds of subscription services. So last night we chose to watch ‘The Big Sleep’ (1946) starring…well, if you read this blog you know who’s in ‘The Big Sleep’. This tells you both how culturally relevant I am (not at all) and what
We move from the previous two posts featuring Marilyn’s delightfully polished and alluring musical numbers in ‘Some Like It Hot’ and ‘Let’s Make Love’, to her nadir. It too is from ‘Lets Make Love’, but there are multiple issues with it that frankly make it something of an embarrassment to
Last Friday I posted the terrific ‘Running Wild’ sequence from ‘Some Like It Hot’, featuring a wildly sensuous vocal/dance performance by Marilyn and way too many cutaways to Jack Lemmon. In spite of the great praise she received in that incredibly successful film, there appear to have been those who
All week we’ve been looking at some of the extraordinary all-female orchestras of the 20s/30/40s. Let’s finish thing off with a band that never existed, ‘Sweet Sue and Her Society Syncopaters’, from Billy Wilder and I.A.L. Diamonds masterful comedy ‘Some Like It Hot’. Clearly Wilder and Diamond were inspired by