Movies 'Til Dawn Blog

‘SUNSET BLVD.’–A MINI-HISTORY

Apropos of yesterday’s post featuring a 1965 interview with Gloria Swanson, here’s a nifty little 22 minute doc about the making of Billy Wilder’s masterpiece. I’ll let the film speak for itself. The only thing missing is a discussion of the film’s original opening, shot but cut after a bad

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‘NOBODY’S PERFECT’–A BILLY WILDER JOINT

Apropos of the doc about the making of Billy Wilder and I.A.L Diamond’s ‘Fedora’ (1978) which I posted last Friday, here’s another doc about the making of Wilder’s much more robust and well-known film ‘Some Like It Hot’ (1959) titled “Nobody’s Perfect’. Scholars of Wilder and Marilyn Monroe will hear

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THE MAKING OF ‘FEDORA’

https://www.youtube.com/watch?v=XS2XRiN9xbE ‘Fedora’ (1978), written by Billy Wilder and I.A.L. Diamond and directed by Wilder, was the teams penultimate film and for all intents and purposes the more appropriate finish to their legendary partnership than their unfortunate final outing ‘Buddy Buddy’. I saw the film in its Los Angeles first (and

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RAYMOND CHANDLER…ACTOR?

I’ve seen ‘Double Indemnity’ (screenplay by Billy Wilder and Raymond Chandler based on James M. Cain’s novel) about a thousand times over the past fifty years and never knew–or frankly cared about– the identity of a man sitting outside Barton Keyes’s (Edward G. Robinson) office. Sixteen or so minutes into

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MEET THE REAL ‘SOME LIKE IT HOT’ ORCHESTRA

Here’s an astoundingly lousy Vitaphone short from 1929 featuring ‘Harry Wayman and His Debutantes’. Yes, it’s an all girl orchestra much like the one in ‘Some Like It Hot’ (‘Sweet Sue and Her Society Syncopaters’). The only differences are 1) The leader is a guy not a woman. 2) There

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BILLY WILDER IN ACTION

Here’s a real deep YouTube discovery. It’s a twenty minute chunk of mostly raw footage from a 1970 television doc called ‘Billy Wilder’ showing Wilder in the process of directing a movie. The making of the doc coincided with Wilder’s presence in Europe shooting ‘The Private Life Of Sherlock Holmes’,

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BILLY WILDER INTERVIEWED BY MICHEL CIMENT

Filmmakers appear to be at their best when being interviewed by Europeans. Yesterday I offered up Orson Welles on Michael Parkinson’s show. Today, dig this one-hour doc made for French television titled ‘Billy Wilder; Portrait Of A 60% Perfect Man’. Ciment, a noted French cineaste, shot this material in Los

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