Movies 'Til Dawn Blog

GLENN GOULD ON 57th STREET

https://www.youtube.com/watch?v=15BAagfdZ8c In our final Glenn Gould post of the week (see previous three if you dare) we find the young piano whiz taking a walk down 57th street in his trademark garb, carry his funny little folded up piano chair that his father made for him and heading for the

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PIANOLITE PT.4–LIBERACE!

There’s nothing really to say about the 20th Century show-biz phenomenon known as Liberace (birth name: ‘Wladziu Valentina Liberace’). Perhaps best to quote the opening of ‘The Song Of Bernadette’: “To those who believe, no explanation is necessary; to those who don’t believe, no explanation is possible.” Below are three

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PIANTOLITE: THE DOUBLE-WHAMMY OF FERRANTE AND TEICHER

In keeping with this weeks exploration of the easy listening pianists of yore, today I’ve posted three delightful (if you’re in that kind of mood) videos featuring the twin-piano act Ferrante and Teicher, a duo of American pianists known for their clever arrangements of familiar classical pieces, movie soundtracks, and

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PIANOLITE Pt.2: THE MAJESTY OF CARMEN CAVALLARO

https://www.youtube.com/watch?v=nOtgigQp_nshttps://www.youtube.com/watch?v=6PJ4KUFynlk Yesterday I posted two clips of Roger Williams, the most successful of the so-called ‘easy listening’ pianists of the 1950, 60s and beyond. But before Williams came several other influential and ground-breaking pianists in this highly specialized and often unfairly derided field of music. Chief among them was Carmen

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PIANOLITE Part 1: THE SPLENDOR OF ROGER WILLIAMS

As a jazz pianist–in other words as a decrepit hipster wallowing in a musical genre that few people care about anymore–I should find it easy to mock the ‘easy listening’ pianists of the 1950s and 60s as total squares who sold-out for big money, playing unbelievably sappy and simple arpeggio-ridden

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NAT KING COLE MEETS…CHICO MARX?

Here are two versions of Nat Cole playing (not singing) ‘Tea For Two’ from his groundbreaking 1957 TV show. I have no idea if the idea of having him do ‘a Chico’ (1:24 on the first version) was his or the networks but my showbiz intuition tells me that someone

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BACKSTAGE WITH GERSHWIN IN 1929

Here’s an extraordinary piece of film. Apparently in December 1929, footage was captured of George Gershwin at rehearsals of his show ‘Strike Up The Band’, complete with chorus girls and a pre-rehearsed patter with star comedians Bobby Clark and Paul McCullough. We see George playing the piano as well as

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