I saw the superb Broadway revival of Stephen Sondheim’s ‘Merrily We Roll Along’ this past Sunday which of course led to a deep Stephen dive on YouTube. Of primary importance in the canon of filmed Stephen stuff is D.A. Pennebaker’s remarkable documentation of the marathon recording session of the original
Above dig ‘The Olympics’ doing their hit song ‘The Hully Gully’ on a Los Angeles based TV show called ‘Hollywood A-Go Go’ which aired in syndication in 1965–1966. The song entered Billboard’s Hot Top 100 chart at position #98–three weeks later it would peak at #72 {for 1 week} and
Tough guy actor George Raft began his career in the cabarets of Times Square in the 1920s as a ‘hoofer’, period slang for a male dancer who didn’t specialize in formal dance. Hoofers were a breed unto themselves, generally self-taught street-wise kids whose athleticism and panache could land them in
Apropos of the doc about the making of Billy Wilder and I.A.L Diamond’s ‘Fedora’ (1978) which I posted last Friday, here’s another doc about the making of Wilder’s much more robust and well-known film ‘Some Like It Hot’ (1959) titled “Nobody’s Perfect’. Scholars of Wilder and Marilyn Monroe will hear
‘Disorder In The Court’ (1936) was the 15th film made by The Three Stooges for Columbia Pictures. It was photographed from Wednesday, April 1 through Monday, April 6, 1936 and released on Saturday, May 30th of that year (the 151st day in the Gregorian Calendar). Though the script is credited
https://www.youtube.com/watch?v=XS2XRiN9xbE ‘Fedora’ (1978), written by Billy Wilder and I.A.L. Diamond and directed by Wilder, was the teams penultimate film and for all intents and purposes the more appropriate finish to their legendary partnership than their unfortunate final outing ‘Buddy Buddy’. I saw the film in its Los Angeles first (and
The late great Nick Tosches (author of ‘Dino’, ‘The Devil and Sonny Liston’, ‘Cut Numbers’ and much more) was a friend of mine way back at the end of the last century and over lunch would occasionally describe ideas for books he knew he’d never get around to writing. One
For my money, there is no better time machine than television commercials and station ID’s. Above is a terrific collection of 1970 KNBC (Los Angeles) ads that evoke the era perfectly and offer some interesting perspectives on issues of the day. A young Tom Brokaw, then a local newscaster, manages
https://www.youtube.com/watch?v=BUqnSedqssI Much is being jabbered about A.I. and its likely calamitous effect on the creative/filmmaking/writing and even acting process. There’s little reason to worry in my opinion; A.I. is hear to stay and will soon supplant the methods by which movies have been made for one-hundred plus years. And in
On January 1, 1971, the last cigarette commercials were aired. To celebrate the occasion (or perhaps ‘squeeze the life out of the opportunity’ is more accurate) Phillip Morris, that noble institution, bought an hour of airtime to jam as many cigarette ads into as possible. Above is a mash-up of