Movies 'Til Dawn BLOG

LEWIS AND LEWIS–A PAS DE DEUX DELUXE

Jerry Lewis’s ‘The Ladies Man’ (1961) is one of his most inventive and, simultaneously, unfunny films. Indeed, most of the comedy falls flat because of the films stylistic advances and ideas, which conversely still feel fresh, interesting and even startlingly good. The big deal in this movie is the massive

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THE GUMM SISTERS IN 1929

It’s June 11, 1929: the first of a three-day film shoot for Judy Garland and her two sisters known as “The Gumm Sisters” at the Tec-Art Studios in Hollywood, California, for the Mayfair Pictures short “The Big Revue” (aka “The Starlet Revue”). This is Judy Garland’s film debut. She’s just

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‘THE CANDY MAN’…(can)

https://www.youtube.com/watch?v=78gt7pfjlCUhttps://www.youtube.com/watch?v=unOnSonpZfY To close this weeks series of original versions of movie themes that my trio and I (redundant? is just ‘my trio’ enough?) performed last week, here’s the first screen appearance of Leslie Bricusse and Anthony Newley’s iconic ‘The Candy Man’, from ‘Willy Wonka and the Chocolate Factory’ (1971). The

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‘TWO FOR THE ROAD’–A STANLEY DONEN TRAILER

Here’s the original theatrical trailer for Stanley Donen’s 1967 film ‘Two For The Road’, starring Albert Finney and Audrey Hepburn. Last week my trio played Henry Mancini’s gorgeous eponymous theme song at our concert in Temecula, at which we devoted a full set to title tracks from movies. Alas, I

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MID-CENTURY POST-MODERN: ‘THE TENDER TRAP’ END CREDITS

Yesterday I posted the opening title sequence of ‘The Tender Trap’ (1955). Today I offer up the ending of the film and its adjacent ‘The End’ sequence. (Spoiler: everyone falls in love and is happy). Perhaps tomorrow I’ll begin posting the reel changes. I like the idea of posting the

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MID-CENTURY MODERN: ‘THE TENDER TRAP’ CREDIT SEQUENCE

Last week I played a trio gig in Temecula, California which featured a number of title tracks from post-war movies–‘Days Of Wine And Roses’, ‘Sunday In New York’ etc. (I posted original title sequences of several of them last week). Our opening number was ‘The Tender Trap’, by Sammy Cahn

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‘THE OSCAR’ ISN’T THE WORST MOVIE EVER MADE–JUST THE LOUSIEST

https://www.youtube.com/watch?v=j4QgGxcsFSEhttps://www.youtube.com/watch?v=WtXm0qhlMVE Last night my jazz trio played a concert in Temecula California consisting of songs from movies. The opening set concentrated on mid-century themes–‘Tender Trap’, ‘Wives and Lovers’, ‘Two For The Road’, ‘Sunday In New York’ etc. By far the most beautiful of the songs, and the the one that

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‘WIVES AND LOVERS’–THE NON-TITLE TRACK

https://www.youtube.com/watch?v=usEo5XsgSGghttps://www.youtube.com/watch?v=rZ7WT02wFOk I’ve been playing the Burt Bacharach/Hal David standard ‘Wives And Lovers’ for years as a jazz waltz. I always assumed that the 1963 song had been written for the 1963 movie of the same title. (A safe assumption, one would think). Now I find out–one day before I’m to

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‘SUNDAY IN NEW YORK’–THE CREDIT SEQUENCE

On this coming Thursday, May 25th, my jazz trio will be performing at a lovely venue in the fascinating town of Temecula, CA. called ‘The Merc’. Our first set of music will feature title track songs from mid-century Hollywood movies. Among them will be ‘The Tender Trap’, ‘Days Of Wine

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MOUSE IN…MOSCOW?

Apropos of yesterday’s post featuring Tom and Jerry in ‘Mouse in Manhattan’, here’s a student orchestra in Moscow performing the ‘Manhattan Serenade’ soundtrack while a silent print of the cartoon is screened. The Chamber Orchestra is apparently called “Affrettando”. This was recorded at the Rachmaninov’s Hall of Moscow Conservatory on March

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