This weekend TCM aired ‘Captain Blood’, Michael Curitz’s terrifically entertaining 1935 Errol Flynn star vehicle–it was Flynn’s first major role and shot him to stardom–which kicked off a wave of ‘swashbucklers’ that lasted well through the 1950s. The sword fight between Flynn and Basil Rathbone is effective but relatively modest,
Let’s close up this absurd week (and I’m not limiting that to just the material on this blog) with an absurd clip of two absurd personalities. This is a silent, ghostly, unknown bit of TV footage featuring Vampira (see post from earlier this week) dancing with Liberace. From the looks
As this week drifts on, we’re gradually getting away from my initial theme which was period football games captured on film. (This may well be a relief to some of you). Today we fall off the map completely with a terrific production number from the 1947 MGM remake of ‘Good
Wouldn’t it be lovely if the Marx Brothers were next Sunday’s Super Bowl halftime entertainment instead of…whoever the hell it is? Well, the next best thing is watching them play a little old-school football and what better way to begin than with the climax of ‘Horsefeathers’ , which depicts a
Let’s end this weeks Fascist deep-dive on a lighter note. Here is “You Nazty Spy”, a 1941 Three Stooges short in which the Stooges are paper-hangers who are weirdly chosen to become the dictators of the fictional country Moronica. Now–the words ‘significant’ and ‘Three Stooges’ aren’t generally uttered in the
https://www.youtube.com/watch?v=Godu_t3BUjwhttps://www.youtube.com/watch?v=WHRwrF8DniI Apropos of yesterdays post about Kay Francis, I did some snooping around on YT for early pre-code Kay moments and ran across a couple of clips from a 1931 comedy called ‘Girls About Town‘, directed by a young George Cukor. I’ve known the title over the years but have
Today is Kay Francis’ 120th birthday–or would have been had she not died in 1968 at the age of 63. When I was a kid in the early 1970s, the Marx Brothers revival was in full swing and theaters around L.A. often did all-day showings of the Paramount Marx output
‘Angora Love’ (1929) was Laurel and Hardy’s last silent film and, was, in fact, the last silent film released by MGM. (Garbo’s ‘The Kiss’ was the last silent feature the studio released, one month prior to this film). Shot in March of 1929, the release was inexplicably delayed until all
The Finishing Touch was filmed in November and December 1927 in an area undergoing real estate development ; its wide open spaces provide a sense of a more pastoral Los Angeles that would soon vanish as more structures filled it in. We are on location in the neighborhood of Cheviot Hills, Los
There are certain movie sets of the past that I yearn to be a visitor on. ‘Kane’, of course. ‘Casablanca’, most definitely. But if I were to choose a silent film to watch being filmed it would without a doubt be ‘Big Business’. The film is probably L&H’s most famous