Movies 'Til Dawn BLOG

SATURDAY MORNING CARTOON–DAFFY DUCK!

I tried–I really tried–to find a non-Warner Brothers cartoon to post this AM. But the sad truth is that as lovingly crafted and artfully achieved any number of vintage cartoons are–and I speak of ‘Tom and Jerry’, ‘Woody Woodpecker’ and everything Disney–they simply can’t hold a candle to the Merrie

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JERRY/COUNT PT. TROIS

To close this little mini-Jerry Lewis/Count Basie festival here’s a clip from the 1977 MDA telethon featuring Jerry sort-of conducting the Count Basie band doing their famous ‘April In Paris’ arrangement. These were, for me, the prime years of the telethon–I regularly ‘stayed up with Jerry to watch the stars

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JERRY LEWIS/COUNT BASIE PT. DEUX

This justifiably famous clip of Jerry ‘lip-syncing’ to Count Basie’s recording ‘Blues In Hoss Flat’ is from ‘The Errand Boy’ (1961) and really is ‘Jerry for people who hate Jerry’. The Youtuber who posted this (who calls themselves TBirdsof1965) went back to the original Basie album, ‘Chairman Of The Board’

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JERRY LEWIS DOES THE DISHES

What was with Jerry Lewis’s infatuation with Count Basie’s band? Something in the charts spoke to him and drove him to develop probably his best routines–watching Jerry pantomime to Basie’s music is infinitely better than watching Jerry be sentimental with children, right? The above is from ‘Cinderfella’ (directed by Frank

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GIELGUD/BRANDO/CAVETT

Here’s a clip from another marvelous Dick Cavett show featuring Sir John Gielgud giving a very thoughtful and sincere recounting of his work with Marlon Brando on the film version of ‘Julius Caesar’. There are no histrionics, no bad-temper revelations–in short, no dish. Just a very thoughtful and articulate actor

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SWINGING LONDON, ’67

https://www.youtube.com/watch?v=5zk0eyKzp1c Here’s another of these fabulous old urban footage updates, this one supplied by the Youtube artist known as GuyJones. It features random street scenes of London in the swinging year of 1967. As always the added ambient sound helps immeasurably in bringing the footage to life and placing us

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SATURDAY MORNING CARTOON!

Enjoy a fat-ass Elmer Fudd and a still-in-development Bugs Bunny in “The Wabbit Who Came To Supper’ from 1942. This one features the opening credit frame with Bugs perched on the WB logo eating a carrot and giving a subtle look of disapproval at the audiences intrusion on his privacy,

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A SELLERS-KUBRICK POTPURRI

Above are excerpts from the BBC Arena program, “The Peter Sellers Story”, a documentary directed by Peter Lydon featuring Seller’s home movies shot with his portable cameras. These excerpts covers the year when Sellers became famous in the US and the time he spent with Stanley Kubrick, making “Lolita” and

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DAVID NIVEN ON EDMUND GOULDING’S FUNERAL

Listen to the most charming and amusing guest you can imagine (on TV, at a dinner party, anywhere), the great David Niven, as he recalls the director Edmund Goulding’s funeral. Goulding directed a young Niven (he gives Goulding credit for his first screen test) in the 1938 remake of ‘The

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‘DEMARCATION!’: PECKINPAH’S GREATEST SEQUENCE

There really is no reason at all to rank any artists work in terms of which works are the ‘greatest’ (‘worst’ is unquestionably easier to determine). Honestly it’s simply a way to attract attention and provoke discussion/disagreement and thus readership/viewership. But in this case I make an exception. Despite the

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